meganbmoore: (hwajung: jeongmyung revealed)
See this poster for the newly-airing sageuk, Seven Day Queen? This poster is very pretty, and makes me very angry.




Park Min Young may be in the center, and she may be playing the title character, but she isn’t the POINT of the poster. She’s demurely looking down and away, and almost seems incidental to the poster. See Yeon Woo Jin and Lee Dong Gun there? they’re both looking directly at the viewer, and their eyes are ALMOST level. Not quite, and noticeably not actually level with each other, but close enough that, with both looking at you, THAT’s what demands the viewer’s attention, with Park Min Young conveniently positioned well below that focal point. The message the poster sends is perfectly clear regardless of if you know anything about the plot: The men are the point, their relationship or conflict is what’s important. The woman is there as the love interest for one or both, but not the point. or the show. (To be fair, while this is the poster for the show I’ve seen the most, it isn’t the only one. The other posters are better in that she’s more of a focus, but they’re also very clearly focused on the romance, and don’t give her the gravity or import that this poster gives the men.)



This has been aggravating me since it first showed up, and the previews (after the first with all the quick cuts and the white color scheme) only furthered the impression. I still held out hope (and still do-it was my most anticipated of the current crop of kdramas) despite the steadily increasing unease the promotional materials gave me, but the first episode seemed to reinforce that impression, with most of the gravitas of the episode of the conflict between King Yeonsan and Lee Yook/future-King Jungjong and their issues with each other and Yeonsan’s daddy issues. Our Heroine was endearing and plucky, but almost incidental to most of the plot in the episode, despite supposedly being the main character. As I said when I watched the first episode over the weekend, I’m hoping that the focus readjusts itself once the childhood parts are over and it ends up the show it could be instead of the show I fear it will be.



more sageuk babble )

ETA:

Compare that poster to this poster of MBC's Hwajung (another drama about a female historical figure who rarely gets used in dramas set in her time period) from two years ago:



Once again, we have the female lead (and the series actually was originally titled Princess Jungmyung) centered between two of the male leads, and standing in front on them.  However,  Lee Yeon Hee is roughly eye level with Cha Seung Won and Kim Jae Won, and she is looking directly at the viewer.  Despite being outnumbered two-to-one, she is clearly the focus of the poster, and there's no doubt she's the lead and that this is her story, with the men playing parts in it.  Mind you the relationships are different-while there is romance and a romantic triangle (tough very one-sided) in Hwajung, neither of these men are involved in it.  One plays Jungmyung's older half brother, while the other plays her nephew (who is older than her, because, I mean, Korean Royals...) but the point and difference remain the same.



meganbmoore: (hwajung: jeongmyung revealed)


First teaser trailer for Seven Day Queen, about King Jungjong's first queen, Queen Danyeong, who was deposed and sent into exile only seven days after becoming queen because of her family's attempt to overthrow King Jungjong.

Probably my most anticipated of the upcoming sageuks for May (Ruler: Master of the Mask is the most likely hit of them, but only really on my list for the leads, and My Sassy Girl looks bad and everything I've read supports that, but I might check it out for Jung Da Bin if reviews aren't too bad) but i do worry that I, South Korea, and fandom in general might have a bit of a burnout with 3 sageuks set in the same basic period (7DQ is set in the overlap period between Rebel: Thief Who Stole the People and Saimdang: Light's Diary) in the first half of one year.

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