She's the Man and Eureka
May. 22nd, 2009 12:58 amBased on liking Amanda Bynes in Sydney White, I decided to check out her crossdressing movie, She's the Man. When I saw trailers, I thought it looked just like a shoujo manga, but didn't realize it was based on Twelfth Night. Apparently setting it in high school makes Shakespeare look like shoujo!
When the girls' soccer team is cancelled at her school and her boyfriend (immediately to become her ex-boyfriend) says that she could never play as well as a guy anyway, Viola takes advantage of her twin brother, Sebastian, running away to London for two weeks to impersonate him at his new school and join the soccer team so she can play in the game against her old school. Except that she develops a crush on her roommate, Duke, who thinks she's a guy and has a crush on Olivia, who has a crush on Viola, thinking she's Sebastian.
So, basically, just like shoujo. Only shorter. It crosses my line for "humor at the expense of the character's dignity" at time, but Bynes does a good enough job to rise above that. It's ridiculously charming, though for about the first hour, Viola/Olivia seems a more viable outcome than Viola/Duke. Thankfully for the movie's obvious outcome, that changes when Duke's dorkishness comes out.
I've also been rewatching the first season (all I've seen so far) of Eureka. I tend to forget how much I like the entire cast. Even Fargo, who's kinda like Topher from Dollhouse if he were actually, you know, funny and likable. My favorite tends to fluctuate between Allison, Beverly, Jo and Henry, though it usually defaults to Allison.
But I'm most fond of how you could describe the episodes. There's "the one with the elderly scientists vs the phallic doomsday machine that bounces lasers off the mirrors on the moon," "the one where they have to kiss to save the world from clone armies," "the one with the righteously pissed cloned wife," "the one with the nomadic robot lover," etc.
Though my favorite is "the one where the sentient house's evil second personality vaporizes the pizza boy."
When the girls' soccer team is cancelled at her school and her boyfriend (immediately to become her ex-boyfriend) says that she could never play as well as a guy anyway, Viola takes advantage of her twin brother, Sebastian, running away to London for two weeks to impersonate him at his new school and join the soccer team so she can play in the game against her old school. Except that she develops a crush on her roommate, Duke, who thinks she's a guy and has a crush on Olivia, who has a crush on Viola, thinking she's Sebastian.
So, basically, just like shoujo. Only shorter. It crosses my line for "humor at the expense of the character's dignity" at time, but Bynes does a good enough job to rise above that. It's ridiculously charming, though for about the first hour, Viola/Olivia seems a more viable outcome than Viola/Duke. Thankfully for the movie's obvious outcome, that changes when Duke's dorkishness comes out.
I've also been rewatching the first season (all I've seen so far) of Eureka. I tend to forget how much I like the entire cast. Even Fargo, who's kinda like Topher from Dollhouse if he were actually, you know, funny and likable. My favorite tends to fluctuate between Allison, Beverly, Jo and Henry, though it usually defaults to Allison.
But I'm most fond of how you could describe the episodes. There's "the one with the elderly scientists vs the phallic doomsday machine that bounces lasers off the mirrors on the moon," "the one where they have to kiss to save the world from clone armies," "the one with the righteously pissed cloned wife," "the one with the nomadic robot lover," etc.
Though my favorite is "the one where the sentient house's evil second personality vaporizes the pizza boy."