
Sixteen-year-old Kaye has been dragged all around the U.S. by her rocker mother, until her mother’s latest boyfriend tries to kill her, and they go to stay with Kaye’s grandmother for a while. As a child, Kaye had faerie friends, and she meets them again, getting caught up in a plot of the Seelie Court’s against the Unseelie Court. As the title would indicate, the plot involves using Kaye as the seven years tithe-human sacrifice- that will keep the fae from running loose on the human world. There’s also Roiben, a Seelie knight now bound in service to the Unseelie Queen, and Janet and Corny, Kaye’s childhood human friends.
Like Melissa Marr, Holly Black is pretty determined to strip away the whole faerie-is-shiny-and-romantic-and-glamorous thing and go back to the darker roots. Unlike Marr, however, Black doesn’t seem to have much of a goal in mind with that or anywhere she’s going with it, just exposing it as dark and unpretty. (As Tithe predates Wicked Lovely by several years, I suspect it was a strong influence.) There’s also a variety of tropes I don’t like. Like how Kenny, Janet’s boyfriend, all but sexually assaults Kaye, but it’s not really his fault, because Kaye didn’t know that her fae appeal was developing, and couldn’t control it. And Roiben can’t be held responsible for all the bad things he does, including to Kaye, because the mean evil fae (mostly the Unseelie Queen) forced him to. Except for the times that Kaye controls him and doesn’t realize what she orders. And, of course, Janet, the female childhood friend, is ultimately jealous and suspicious of Kaye over a boy, but Corny, the outcast gay boy, totally has her back. Of course, Corny gets the Creepy Bad Wrong Probably Abusive fae boyfriend, and Kaye gets the Mysterious Angsty Secretly Good fae boyfriend.
And yet, despite spending a chunk of the book wanting to yell at it for annoying tropes, I liked it, and want to read more! I like how Kaye’s relationships with her mother and grandmother are normally antagonistic but still essentially “good” relationships, instead of needlessly antagonistic or negative just to make Kaye’s homelife more difficult. But mostly, I think that, while I can’t stand the more popular romanticization of the Other because of how it so often ends up justifying the worst stereotypes when it comes to gender and relationships between the genders (not to mention Really Awkward Allegories), I just really like fiction that explores the concept of Other as strange and unpretty even when it’s appealing, and how romantic ideas of Other really aren’t romantic.