The Devil's Heiress by Jo Beverley
Jul. 1st, 2009 01:27 amGeorge Hawkinville’s father sunk the family estate into debt expecting to inherit a fortune when a relative, Lord Deveril, dies. When Deveril is considerate enough to die, however, he instead leaves his entire fortune to his young fiancée, Clarissa. Dear old dad’s solution is for Hawk* to marry Clarissa. Hawk, however, is suspicious, and suspects the will is a forgery, and that Clarissa was involved in Deveril’s death, and decides that proving her guilty of murder and the will a forgery is a better way to get the money.
Clarissa, for her part, is young and inexperienced, and Deveril’s money gives her freedom from her family, who already sold her to one creepy man. She believes Hawk is the chivalrous fortune hunter he pretends to be, and decides to have an adventure by engaging in a flirtation with him in Brighton. Thankfully, Hawk stops planning to get Clarissa executed for murder pretty early on and starts angsting about how he’s really a jerk for continuing to lie to her about his motives. (Even though he’s technically truthful about the fortune hunting part.) Really, once you get past the early motives and the lying, he’s kind of a sweetheart. Who likes cats. Beverley does a surprisingly good job of portraying Clarissa as a girl caught up in an exciting crush. I say “surprisingly” because most romances don’t really seem to be aware of the concept of a crush. Unfortunately, she may do a little too good of a job. While I’m convinced that Hawk falls in love with Clarissa, I’m never really convinced that Clarissa’s crush completely turns to love. Not that I don’t believe she could love him, I just didn’t feel the transition, as it seemed that most of the focus there was Hawk dealing with his guilt and loving her.
This could have been dealt with in the last section, after Clarissa learns the truth** but this is book 10 or so in a series (most of which, thankfully, I’ve read over the years, even if I’ve forgotten a few of them) and the tail end becomes dealing with fallout and dangling plot threads from earlier books, with Hawk and Clarissa’s plotline brushed to the side. So, in the end, not Beverley’s best book, but a pretty enjoyable one for the most part.
*Sometimes I think Beverley is worse than most romance novelists when it comes to names, but usually, I think she’s making fun of the trend.
**As a side note, during this, Hawk tries to paint Clarissa as his victim to help with his guilt wallowing. He’s told to stuff it and that she’s tougher than that, which I appreciated. Though I wish it’d been Clarissa to say it.
Clarissa, for her part, is young and inexperienced, and Deveril’s money gives her freedom from her family, who already sold her to one creepy man. She believes Hawk is the chivalrous fortune hunter he pretends to be, and decides to have an adventure by engaging in a flirtation with him in Brighton. Thankfully, Hawk stops planning to get Clarissa executed for murder pretty early on and starts angsting about how he’s really a jerk for continuing to lie to her about his motives. (Even though he’s technically truthful about the fortune hunting part.) Really, once you get past the early motives and the lying, he’s kind of a sweetheart. Who likes cats. Beverley does a surprisingly good job of portraying Clarissa as a girl caught up in an exciting crush. I say “surprisingly” because most romances don’t really seem to be aware of the concept of a crush. Unfortunately, she may do a little too good of a job. While I’m convinced that Hawk falls in love with Clarissa, I’m never really convinced that Clarissa’s crush completely turns to love. Not that I don’t believe she could love him, I just didn’t feel the transition, as it seemed that most of the focus there was Hawk dealing with his guilt and loving her.
This could have been dealt with in the last section, after Clarissa learns the truth** but this is book 10 or so in a series (most of which, thankfully, I’ve read over the years, even if I’ve forgotten a few of them) and the tail end becomes dealing with fallout and dangling plot threads from earlier books, with Hawk and Clarissa’s plotline brushed to the side. So, in the end, not Beverley’s best book, but a pretty enjoyable one for the most part.
*Sometimes I think Beverley is worse than most romance novelists when it comes to names, but usually, I think she’s making fun of the trend.
**As a side note, during this, Hawk tries to paint Clarissa as his victim to help with his guilt wallowing. He’s told to stuff it and that she’s tougher than that, which I appreciated. Though I wish it’d been Clarissa to say it.