Skip-Beat Vol 13

[meganbmoore]

At long last, the Dark Moon arc is over. I know I’ve said it before, but while this arc was good when it was focusing on Kyoko and her figuring out her voice for her first big role, it was pretty good, but when it switched to Ren having Issues playing romantic roles, it kinda got dull. Yes, the whole “oh hai! Ren and Kyoko horizontal on the kitchen floor and Kyoko has no idea what’s going on because it’s practice for the drama!” thing helped, but it had a limited lifespan. Those flashbacks during the test proved that.

BUT!

It seems we are past that now (I’m sure there will be “how the show went” bits, but that’s ok) and back to Ren being repressed and standoffish and Kyoko being her perky, hyper, near rabid self, obsessed with grudges and pleasing people. And, of course, Ren’s manager is back to being a fulltime Ren/Kyoko shipper. (Is it just me, or do their hairstyles sometimes make it hard to tell him and Ogata apart?)

I’m curious about Ren’s issues with who I believe is the person who played Katsuki in the original drama. I’m curious, but fearful of it overtaking the book. (Look, I signed up for the hijinks of a revenge driven girl finding what she wants to do with herself by accident and her best friend and the slightly older guy who isn’t quite adjusted to liking a girl 5~ years younger, not romantic wangst[some romantic wangsting ok] and Ren’s issues with Kyoko being cute and supportive.)

And…uhm…I have yet to figure out why we need the subplot of Ren and Kyoko having known each other when she was little. It has yet to contribute anything.

(And despite my seeming to complain a lot lately, I still love this thing.)

I maintain that Dark Moon sounds like a terribly melodramatic and overly wangsty drama that, were it real, would be insanely popular. And that I’d flee from.

Now, let’s bring Kanae back, shall we? 

Comments

[swanjun.livejournal.com]

I get what you're saying about Basara. Maybe Shuri, too, sees things more in absolutes where Sarasa, like you say, can see the bigger picture but also is more tolerant and sees the worth of varying points of view.

I have never read Blade of the Immortal, but I did just order Ohikkoshi, which is, I think, by the same artist.

ETA: Since we seem to like a goodly amount of similar things, I poked around with my new favorite tool (http://www.worldcat.org) and found a copy of this. Hopefully my library will be able to get it via ILL.

[meganbmoore.livejournal.com]

I think Shuri sees the world very much in black and white, and in terms of stregnth and weakness. It's why he was overthrown and why he couldn't accept his people's help at the time in Suo, and why it took him so long to be able to admit he still loved Sarasa.

Ohikkoshi is good, but nothing at all like BOTI.

[swanjun.livejournal.com]

I didn't figure it would be. It's interesting how these creators of gritty seinen (Eden and BotI) also have slice-of-life compilations like Tanpenshu and Ohikkoshi.