Set a year after Consequences of Sin, Ursula’s relationship with Wrotham is at a standstill, and she’s struggling to maintain both her father’s business and her active status in the suffragette movement. On vacation in Egypt, her friend, Katya, is killed in her presence. Before that can be resolved, she receives word that one of her factories has burned down, and that one of her workers died in the fire. Later, she not only learns that the girl, Arina, was Katya’s sister, but also that her former Bolshevik lover is involved.
I’ll give you a minute to get over facepalming at the sheer coincidence of Ursula’s friend who died in her presence having a sister who died in her factory.
Are you through yet? Nonono, don’t pause to think about how the sisters were apparently fairly close, but had such disparate social statuses.
So, thanks to the plot contrivance to have Ursula involved with both murders, the mystery plotline didn’t quite work for me. I did, however like the details with Ursula trying to be a rich heiress running her father’s business in 1911, and how it wasn’t easy, or encouraged, and I liked that Winifred’s role was expanded beyond just being the flaky lesbian BFF who partied too much, not to mention all the “war is coming” bits (I can’t help it, I have little interest in actual WWI and WWII stories, but I love stories surrounding them). I was liking the standoff between Ursula and Wrotham-his position demands a proper British wife, she demands her independence and crusades, and a compromise is not to be had-but didn’t care for how it turned out.
A couple spoilery complaints:
( in case anyone plans to read them )
I’ll give you a minute to get over facepalming at the sheer coincidence of Ursula’s friend who died in her presence having a sister who died in her factory.
Are you through yet? Nonono, don’t pause to think about how the sisters were apparently fairly close, but had such disparate social statuses.
So, thanks to the plot contrivance to have Ursula involved with both murders, the mystery plotline didn’t quite work for me. I did, however like the details with Ursula trying to be a rich heiress running her father’s business in 1911, and how it wasn’t easy, or encouraged, and I liked that Winifred’s role was expanded beyond just being the flaky lesbian BFF who partied too much, not to mention all the “war is coming” bits (I can’t help it, I have little interest in actual WWI and WWII stories, but I love stories surrounding them). I was liking the standoff between Ursula and Wrotham-his position demands a proper British wife, she demands her independence and crusades, and a compromise is not to be had-but didn’t care for how it turned out.
A couple spoilery complaints:
( in case anyone plans to read them )