meganbmoore: (1930s sleuth)
Set a year after Consequences of Sin, Ursula’s relationship with Wrotham is at a standstill, and she’s struggling to maintain both her father’s business and her active status in the suffragette movement. On vacation in Egypt, her friend, Katya, is killed in her presence. Before that can be resolved, she receives word that one of her factories has burned down, and that one of her workers died in the fire. Later, she not only learns that the girl, Arina, was Katya’s sister, but also that her former Bolshevik lover is involved.

I’ll give you a minute to get over facepalming at the sheer coincidence of Ursula’s friend who died in her presence having a sister who died in her factory.


Are you through yet? Nonono, don’t pause to think about how the sisters were apparently fairly close, but had such disparate social statuses.


So, thanks to the plot contrivance to have Ursula involved with both murders, the mystery plotline didn’t quite work for me. I did, however like the details with Ursula trying to be a rich heiress running her father’s business in 1911, and how it wasn’t easy, or encouraged, and I liked that Winifred’s role was expanded beyond just being the flaky lesbian BFF who partied too much, not to mention all the “war is coming” bits (I can’t help it, I have little interest in actual WWI and WWII stories, but I love stories surrounding them). I was liking the standoff between Ursula and Wrotham-his position demands a proper British wife, she demands her independence and crusades, and a compromise is not to be had-but didn’t care for how it turned out.

A couple spoilery complaints:

in case anyone plans to read them )
meganbmoore: (1930s sleuth)
Set in 1910 and early 1911, Consequeces of Sin is about Ursula Marlow, an Oxford educated heiress who is involved in the suffragette movement. When her friend Winifred calls her in the middle of the night to say there’s a dead woman in her bed, Ursula rushes over, enlisting the services of a family friend and solicitor, Wrotham. Later, it’s revealed that the dead woman is Winifred’s lover, Laura, and that the two women had spent the previous evening at an opium den, where they had quarreled, leading to Winifred’s becoming the prime suspect.

Soon, however, Ursula begins to suspect that Laura’s death is actually tied to an expedition to Venezuela that their fathers, and several other men, had been involved in over twenty years earlier. At the same time, her father increases his insistences that Ursula give up her “hobbies” and focus on marrying well, doing everything he can to cut her out of investigating. Soon, Ursula finds her friends being quietly spirited out of the country, and learns that her father plans to do the same with her, and realizes that the children of the expedition members are being targeted.

The feel of the Edwardian period is very strong in this book, with most of the attention being on society’s attitudes towards women and the suffragette movement. Because of this, and despite some lighter and humorous moments, much of the book is on the bleak side, and many of the male characters are often difficult to like, as there’s no fluffy hints of modern acceptance thrown in. As a result of this, I have rather mixed feelings about the romance between Ursula and Wrotham. While it’s well done and makes perfect sense, her views on the subject are relatively revolutionary, while his are very much the conventional, conservative views of a man of his class and time. “I respect and admire you and believe you are intelligent, but do not believe women have a place in such matters [read: anything related to business or any of the professional world of their class] and you should focus on womanly pursuits.” (Paraphrased from various conversations in the book, of course.)

A very good book, but the bluntness regarding the time period and gender roles of the times and attempts to break free of them my turn some readers off.

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July 2020

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