meganbmoore: (Default)
Set very shortly after Shards of Honor, Barrayar chronicles the first year or so of Aral’s regency over the Barrayar Empire, and how it affects Cordelia’s pregnancy with their son. (No spoilers that aren’t reveled on the cover jacket of Cordelia’s Honor.) I liked Cordelia’s radical (to them) ideas of motherhood and sexuality clashing with the strict ideas Barrayaran society has about those things, and her liberal ideas clashing with their more medieval ones, especially when it came to Miles.

As was mentioned in my post on Shards of Honor, the difference in writing between the two books really stands out. I also think Bujold handles the conflict much better. Then again, they’re two very different kinds of conflict. Here, it’s something that clearly needs to be done, it’s just coming to the decision that it’s worth the risk, and actually taking the step to do it. There, it was a case of a choice needing to be made, and an easy out (narratively, not for the character) being produced instead.

Bujold is also a lot more willing to dig into the horrors of war here, and the lengths both sides go to. She hinted at it in Shards of Honor, but mostly kept it off the pages. Here, she pretty much digs in. 

spoilers )
meganbmoore: (Default)
I'm actually reading the Cordelia's Honor omnibus that collects this and Barrayer.  Normally with an omnibus, I'll just wait until I finish the whole thing, but I decided I wanted to address these books separately.

Shards of Honor kicks off Bujold's much vaunted Vorkosigan Saga, and, for the most part, does so extremely well.  On an expeditionary survey for the Betan Empire-a technologically advanced empire that is extremely forward thinking-Commander Cordelia Naismith's crew is attacked by a ship of the Barrayaran Empire-a more militaristic empire based on the middle ages.  Stranded on the planet, she finds herself face to face with-and prisoner of-Aral Vorkosigan, a Barrayaran noble and officer who is known as "The Butcher of Komarr," for slaughtering many surrendered prisoners, and learns that she and her people got caught in the middle of a mutiny.  Travelling together for five days, the two get to know each other, and Cordelia learns how much of his dark reputation he's earned, and how much he hasn't.

Bujold manages to avoid all the bad cliches of the "enemies in love" trope.  Cordelia isn't his prisoner for long, and when she is, it's almost a formality.  Though their social statuses in their individual societies aren't quite equal, they're close enough to avoid a power imbalance, and Cordelia not only manages to avoid needing rescueing by Aral (quite a feat, actually) but actually manages to leave him in her debt and rescues not only herself, but also her misguided but well-intentioned crew.  Not to mention Aral himself.  Aral and Cordelia are both very mature, and their developing romance is pulled off very convincingly, avoiding all the angstridden cliches of the trope and approaching it as two adults who completely understand the situation they're in.  (Leading to a proposal-early on, not the climax-that reminded me of the first proposal in Sayers's Strong Poison.)

There is, however, a "but."  And while it's not enough of a "but" to ruin the book for me or even to really lower my opinion, it is a big one.

spoilers )

Profile

meganbmoore: (Default)
meganbmoore

July 2020

S M T W T F S
   1234
567891011
12131415161718
19202122232425
26 2728293031 

Syndicate

RSS Atom

Most Popular Tags

Style Credit

Expand Cut Tags

No cut tags
Page generated Jun. 7th, 2025 01:12 am
Powered by Dreamwidth Studios