I have to say, though, that within the first 100 pages, my feelings for Irrylath went from disinterest and mild annoyance to outright dislike. I have to wonder if Pierce was actually trying to make us hate him.
So, has anyone read Pierce’s other trilogy, or other books, and am I likely to like it/them? For a quick guideline of what I have liked in The Darkangel, A Gathering of Gargoyles, and Treasure at the Heart of the Tanglewood: I like Aeriel and Hannah, of course (no point in reading the books if you don’t) I like the quest aspect, the travelling, the way the books seem to incorporate tons of little bits of mythology instead of relying on a sole mythtype, the magic as it relates to the heroines, the distinctive worlds, the talking animals, all the supporting characters they meet in their travels, and the mytharcs of both. I’m not, though, very impressed with her male leads so far. I don’t care for Irrylath(he had potential in the first book, but he wasted it and I thought he was thoroughly unlikable and unsympathetic by the end), and while Hannah’s prince was pretty decent and I have no problems seeing them together and happy for a long time, he wasn’t really developed at all.
I have to say, though, that within the first 100 pages, my feelings for Irrylath went from disinterest and mild annoyance to outright dislike. I have to wonder if Pierce was actually trying to make us hate him.
So, has anyone read Pierce’s other trilogy, or other books, and am I likely to like it/them? For a quick guideline of what I have liked in The Darkangel, A Gathering of Gargoyles, and Treasure at the Heart of the Tanglewood: I like Aeriel and Hannah, of course (no point in reading the books if you don’t) I like the quest aspect, the travelling, the way the books seem to incorporate tons of little bits of mythology instead of relying on a sole mythtype, the magic as it relates to the heroines, the distinctive worlds, the talking animals, all the supporting characters they meet in their travels, and the mytharcs of both. I’m not, though, very impressed with her male leads so far. I don’t care for Irrylath(he had potential in the first book, but he wasted it and I thought he was thoroughly unlikable and unsympathetic by the end), and while Hannah’s prince was pretty decent and I have no problems seeing them together and happy for a long time, he wasn’t really developed at all.
While Irrylath is moping, Aeriel is busy trying to put together the pieces of Ravenna’s riddle so she can beat the White Witch, and realizes that Irrylath and his brothers are the seven warriors meant to go against the white witch, and that Ravenna’s lons are the steeds they’re meant to ride. Except that six of the lons are missing, so off she goes to find them.
I liked the first book a lot, but I really, really liked this one. I really like the quest aspect that’s been in all of Pierce’s books so far, and how chunks of them feel like myth-building travelogues. If possible, the second book in the trilogy had even more bits of various myths I can’t quite pin down the origins of, and it makes me really wish I knew more about the significance of numbers in mythologies, as there are a lot of significant numbers here(24, 7, 13, 6, and 14 are the ones that come up the most) that seem to have a significance beyond the one I’m catching.
Then there’re the supporting characters. The gargoyles and the talking animals and the blue juggler and her silent boyfriend and Erin, the slave girl who becomes Aeriel’s traveling companion, and Roshka, the prince who joins them and all these others I feel like I’m forgetting. The revelation of what happened to the lons, as well as that of Airiel’s origins, were pretty obvious early on, but I don’t care because there’s all the mythology and the month long days and the wraiths and the sea of sand…as you can tell, I really to like this world and mytharc. The only problem is Irrylath. Even the characters who only show up for a bit are interesting and well developed, but Irrylath is really just there and now too wrapped up in his own issues, and I remain completely unsold on the romance. I did like the revelation that he’d been looking for Aeriel all the months she was looking for the lons, as well as his finally explaining why he’s so cold to her, but neither really goes very far. Really, I can’t help but wonder if Aeriel is just mistaking pity for something else.
And now, even though I suspect I may regret it, I shall bulldoze ahead and read the third book.
While Irrylath is moping, Aeriel is busy trying to put together the pieces of Ravenna’s riddle so she can beat the White Witch, and realizes that Irrylath and his brothers are the seven warriors meant to go against the white witch, and that Ravenna’s lons are the steeds they’re meant to ride. Except that six of the lons are missing, so off she goes to find them.
I liked the first book a lot, but I really, really liked this one. I really like the quest aspect that’s been in all of Pierce’s books so far, and how chunks of them feel like myth-building travelogues. If possible, the second book in the trilogy had even more bits of various myths I can’t quite pin down the origins of, and it makes me really wish I knew more about the significance of numbers in mythologies, as there are a lot of significant numbers here(24, 7, 13, 6, and 14 are the ones that come up the most) that seem to have a significance beyond the one I’m catching.
Then there’re the supporting characters. The gargoyles and the talking animals and the blue juggler and her silent boyfriend and Erin, the slave girl who becomes Aeriel’s traveling companion, and Roshka, the prince who joins them and all these others I feel like I’m forgetting. The revelation of what happened to the lons, as well as that of Airiel’s origins, were pretty obvious early on, but I don’t care because there’s all the mythology and the month long days and the wraiths and the sea of sand…as you can tell, I really to like this world and mytharc. The only problem is Irrylath. Even the characters who only show up for a bit are interesting and well developed, but Irrylath is really just there and now too wrapped up in his own issues, and I remain completely unsold on the romance. I did like the revelation that he’d been looking for Aeriel all the months she was looking for the lons, as well as his finally explaining why he’s so cold to her, but neither really goes very far. Really, I can’t help but wonder if Aeriel is just mistaking pity for something else.
And now, even though I suspect I may regret it, I shall bulldoze ahead and read the third book.
The Darkangel by Meredith Ann Pierce
Jun. 6th, 2008 02:48 pmThe be honest, if Aeriel's chief goal had been to save Irrylath, the Darkangel, I doubt I could have supported the book. Instead, saving Irrylath is a necessity if she wants to save the wraith wives, hoping that Eoduin really is one of them, and still alive, and saving them is her main goal. While she's drawn to Irrylath, it's made clear that it's a mixture of pity and his supernatural abilities, not out of some deep lust for his being a hot vampire, and she hates herself for it. Irrylath, meanwhile, is thankfully not some goth emoboy angsting for his lost soul. He doesn't even know why anyone would want one, save for power. Instead, he really is a monster, one with shreds of humanity, but more a mad creature to be pitied but feared than a romantic figure. In a lot of ways, he's more of a petty, spoiled, evil child than anything else. To be completely honest, I'm not convinced yet that he's worth all the trouble Aeriel is going through for him, but I'm willing to be convinced.
Pierce also brings in a lot of various mythologies. While the world as a whole has something of a middle-eastern feel to it, there are also definite European feel to the mytharc, and various plotpoints seem to be drawn from specific fables of both. I'm not sure what I think of Irrylath or the romance yet, but I do like Aeriel, and the mytharc that's developing, and how the resolution of one quest resulted in another, bigger quest emerging.
The Darkangel by Meredith Ann Pierce
Jun. 6th, 2008 02:48 pmThe be honest, if Aeriel's chief goal had been to save Irrylath, the Darkangel, I doubt I could have supported the book. Instead, saving Irrylath is a necessity if she wants to save the wraith wives, hoping that Eoduin really is one of them, and still alive, and saving them is her main goal. While she's drawn to Irrylath, it's made clear that it's a mixture of pity and his supernatural abilities, not out of some deep lust for his being a hot vampire, and she hates herself for it. Irrylath, meanwhile, is thankfully not some goth emoboy angsting for his lost soul. He doesn't even know why anyone would want one, save for power. Instead, he really is a monster, one with shreds of humanity, but more a mad creature to be pitied but feared than a romantic figure. In a lot of ways, he's more of a petty, spoiled, evil child than anything else. To be completely honest, I'm not convinced yet that he's worth all the trouble Aeriel is going through for him, but I'm willing to be convinced.
Pierce also brings in a lot of various mythologies. While the world as a whole has something of a middle-eastern feel to it, there are also definite European feel to the mytharc, and various plotpoints seem to be drawn from specific fables of both. I'm not sure what I think of Irrylath or the romance yet, but I do like Aeriel, and the mytharc that's developing, and how the resolution of one quest resulted in another, bigger quest emerging.
Hannah has always lived in the Tanglewood, a place where nothing ever changes, in service to her master, a magician who requires her to make a draught for him from the flowers that grow in her hair. Though she reaches out to the peasants who come to her for aid and tells them she doesn’t need their offerings, her approaches are always fearfully rejected. Hannah doesn’t begin to understand why this is until one day she realizes that though she herself remains unchanged, an elderly woman was once a young girl who came to her for aid, many years ago.
Meanwhile, many knights have come to the Tanglewood to fight a giant golden boar who lives there, and win his treasure. All the knights die and one day, she speaks to one of the knights, who tells her that he, and the others, are on a quest to reclaim their queen’s treasure from the boar. Later she finds him wounded and tends to the knight, who she names Foxkith after learning he has no memories, neglecting her master in the process Eventually, she defends Foxkith against her master, causing her to be ejected from her home, beginning a quest to learn both Foxkith’s past, and her own origins, constantly changing as she goes.
I found this book to be a lot like Patricia McKillip’s The Book of Atrix Wolfe, in terms of my response to it: it kept me reading and has everything for me to love it, and I vastly enjoyed it as I was reading, but I didn’t retain a lot of it. It is a good book, though, and I think I’ll hunt down more of Pierce’s books. Also, if you read it, pay a lot of attention to Hannah’s hair.
Hannah has always lived in the Tanglewood, a place where nothing ever changes, in service to her master, a magician who requires her to make a draught for him from the flowers that grow in her hair. Though she reaches out to the peasants who come to her for aid and tells them she doesn’t need their offerings, her approaches are always fearfully rejected. Hannah doesn’t begin to understand why this is until one day she realizes that though she herself remains unchanged, an elderly woman was once a young girl who came to her for aid, many years ago.
Meanwhile, many knights have come to the Tanglewood to fight a giant golden boar who lives there, and win his treasure. All the knights die and one day, she speaks to one of the knights, who tells her that he, and the others, are on a quest to reclaim their queen’s treasure from the boar. Later she finds him wounded and tends to the knight, who she names Foxkith after learning he has no memories, neglecting her master in the process Eventually, she defends Foxkith against her master, causing her to be ejected from her home, beginning a quest to learn both Foxkith’s past, and her own origins, constantly changing as she goes.
I found this book to be a lot like Patricia McKillip’s The Book of Atrix Wolfe, in terms of my response to it: it kept me reading and has everything for me to love it, and I vastly enjoyed it as I was reading, but I didn’t retain a lot of it. It is a good book, though, and I think I’ll hunt down more of Pierce’s books. Also, if you read it, pay a lot of attention to Hannah’s hair.