meganbmoore: (morgan)
This book begins with a teenaged King Arthur placing 40 babies in a boat so that they will die at sea in order to ward off Mordred’s causing The Doom of Camelot. For greatest dramatic effect, he does this himself because he can’t make his men condemn babies to death. The next scene begins with an angsty Mordred thinking about centuries trapped in the body of a raven. The first thing he says is “When I was a baby, my father tried to kill me." On page 18, he was given a puppy. A couple paragraphs later, his half brother picked it up, and I was utterly convinced that he was going to bash her against the castle wall.

It’s that kind of book. The awesomely depressing kind, that is. Naturally, I was deeply concerned about the dog every time she was mentioned after that.

The book is similar to Springer’s book about Morgan, and devoted to showing that Mordred as not having been evil since birth, but trapped by a horrible cruel terrible fate. Of course, it still has to end with him causing a war and killing his father. So. You know.

No one understands Mordred. His brothers think he’s a coward. His mother doesn’t love him. His father can’t acknowledge him. Woes! And yet, he manages to not be too whiny or irritating! For the most part, it’s pretty decently done, and it’s interesting to see Mordred treated as something other than an evil destroyer.

Then at abut ¾ of the way through, a raven looks at him and says “Dread! More dread!” and the book descends (ascends?) into pure, undiluted Angst and Woes and Drama and Trauma. It’s rather amazing. Later, the same raven says “Mordred! More dread, more dead, murderer, Mordred!” I feel like I should applaud Springer, somehow.
meganbmoore: (magic)
Just like I’m one of the five people on the internet who isn’t tired of fae stories, I’m one of the five people on the internet who isn’t tired of Arthurian Legend. Or parts of it, at least. I fear Arthur and Lancelot will never manage to hold my interest for long. Mind you, that number may have changed with Merlin, but most of the interest there seems to be limited to the show itself. Mostly, like fantasy and fairy tales and mythology in general, I probably imprinted on the stuff too strongly at a young age to really be able to ever break up with it completely.

Morgan has always been of particular interest to me, though, while I love her as a myth, I’m rarely happy when she’s turned into a character, as she tends to end up either the evil seductress or the persecuted saint, neither of which particularly interests me. Nancy Springer’s version of Morgan covers her life from a child through young adulthood, ending when Arthur’s reign begins, and only hinting at the problems between the two that will follow, despite laying the groundwork for that throughout the book.

For most of the book, Morgan straddles the line between good intentions and being ruled by often self-centered impulse, influenced by power, loss and betrayal. The eventual outcome is obvious, but it’s a sympathetic road to that outcome, as opposed to an implied obvious evilness and saintliness. For most of the book, however, there isn’t the feeling of myth that I always hope for, though that’s more a flaw in my expectations than a flaw in the book, which is very solid overall. One thing I really liked is that, unlike most adaptations of Arthurian legend that somehow get rid of Igraine as soon as she gives birth, her job done, Springer keeps Igraine as an important factor, and one that plays a strong role in Morgan’s eventual fate.

Has anyone read Springer’s book about Mordred, or have any opinions about Springer’s books in general?

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meganbmoore

July 2020

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