meganbmoore: (too many books)
I haven't done the Wednesday reading Meme in ages, but I'm going to try to get back in the habit of doing it at least semi regularly.

What are you currently reading
Carlene O'Neil: One Foot in the Grape: First book in a mystery series about a photojournalist who takes over her family's winery. Dramatic neighbors abound. I'm only just to the murder, but I'm enjoying it so far.

What did you recently finish reading?

Neil Gaiman: American Gods: I remember this being a huge thing when it came out, and may have been pretty into it if I'd read it then, but I mostly found this to be an interesting idea told in a way that I didn't find interesting, with characters that mostly bored me. I also found Gaiman's detached recounting of incredibly awful things happening to people-mostly to women and POC- to be offputting. I mean, it wasn't bad, it just didn't work for me, aside from a few parts.

Rick Riordan: Blood of Olympus: The last of Riordan's Heroes of Olympus books and, as far as I know, the last in the Percy Jackson series? I was surprised by how low the body count was, but certainly not disappointed, and was glad Raina finally got a lot of page time. Riordan seems to forget that Jason was supposed to be the nominal lead (or colead with Percy, I guess) of this series, and that's ok. I did enjoy this series a lot, possibly more than the first, sdespite never developing an attachment to Jason.

Lauri Robinson: The Bootlegger's Daughter: A romance novel set in the prohibition era. A federal agent goes to a bootlegger's resport undercover to find a mobster, and falls for the bootlegger's daughter, who actually runs the resort. Entertaining, but I was thrown off by how 2/3 of the book take place over 2 days. It seems most romance novels I've read in recent years take place over a short period of time. I remember when most historical romances took place over the span of months or even years.

Noelle Stevenson: Nimona: Nimona is a graphic novel that was originally a webcomic about a young shapeshifter named Nimona, who is assigned as sidekick to Lord Ballister Blackheart, the kingdom's Official Villain, as his sidekick. Ballister was a hero in training until he lost an arm at the hands of his friend, Ambrosius Goldenloin, in a joust. Ambrosius says it was TOTALLY AN ACCIDENT and Ballister says it was done in a jealous rage. Add to this that Ambrosius is the kingdom's main Romantic Hero, and they don't talk much now, except for occasions when Ambrosius tries to arrest Ballister. Ballister is the most moral person in the book and really against random killing. Nimona is really REALLY into being a future supervillain, and prone to turning into various animals that and eat or trample guards, much to Ballister's dismay. It starts with LOLarious hijinks with the honorable and moral villain and his tiny murdering sociopath sidekick trying to expose an evil plot by the organization that runs the kingdom. Then it escalates into illegal experimentation, and legends with darker undertones, and possibly conspiracy theorist lady scientists, and ex-lovers working out epic misunderstandings and drama and trauma and destruction all over the place. I mean, it's great, but boy does it escalate.

Victoria Jamieson: Roller Girl: Graphic novel about a 12 year old girl named Astrid who has always done everything with her best friend, Nicole. When Astrid decides to enroll in Roller Derby Camp for the summer, she assumes Nicole will come with her. Instead, Nicole enrolls in Ballet Camp, and befriends Astrid's nemesis, Rachel. So Astrid lies to her mother that Nicole is going with her, and that Nicole's mother will be picking her up from camp every day (she walks home instead). At camp, Astrid has enthusiasm (sometimes, so much work!) but not much in the way of talent. The book is mostly about a 12 year old growing up and figuring out that life doesn't always going the way you want, but that that isn't always bad. And roller derby. Lots of roller derby.

Patrick Carman, The Land of Elyon series. MG series about a girl named Alex who spends her summers in a border city walled off from the wilderness, snd likes to spend hours and hours exploring the city's labyrinthine library. sadly, thre is little library exploration, but lots of having adventures in the lands beyond the city. Very enjoyable.

Joyce and Jim Lavene: Perilous Pranks, Murderous Matrimony, Bewitching Boots, Fatal Fairies: Up to the current book in a cozy mystery series set at a RenFaire that's open all year and has permanent residents. I really enjoy these books despite the main character having flares of internal misogyny at times (though she does finally seem to become aware of it in the latest book.) Perilous Pranks introduces supernatural elements into the series, which stayed and are becoming increasingly prominent. I don't object, I suppose, it just seems odd to so suddenly switch to that when earlier books made a point to contrast fantasy and reality.

Fujiwara Cocoa: Youko x Boku SS Vol 1: Manga series about youkai and their bodyguards. I watched the anime based on it a few years ago, and based on my recollections, the first few episodes of the anime follow the first volume of the manga pretty faithfully, though I seem to recall the anime having more "cutesy" fanservice and fetishism. I put off reading it for so long because I know the current plot is actually a prologue to the main plot, and wasn't sure how I felt about getting there.


There are other books that I've read and not posted on since I last did this, but I'm too lazy to go through all my tags to see if I missed something I should comment on.

What do you think you'll read next?

I have a bunch of mysteries, romance novels and YA novels checked out from the library, so those, and I intend to do a lot of manga bingeing in the near future, since I haven't read much in recent months.
meganbmoore: (a royal affair: reading)


What are you currently reading
The House of Hades by Rick Riordan. Not far enough into it to have an opinion.

I'm a few chapters into Rose of Versailles, and it's very different, so far, from the anime, which I knew to expect going in, as the mangaka started it expecting to do a series about Marie Antoinette.



What did you recently finish reading?
Rose Under Fire by Elizabeth Wein, Dreaming of Paradise by Fuyumi Ono, and all of Venus Capriccio by Nishikata Mai, all of which I posted on separately.

Young Miss Holmes Vol 5-7 by Kaoru Shintani. These volumes are available in the US as a single omnibus inthe US, and complete the series. I understand there's a sequel, but haven't found it anywhere yet. This is the manga about Sherlock Holmes's crime solving niece, and it is great, though I don't have anything to add that I didn't say about it when I read the other volumes earlier this year.

Pandora Hearts by Jun Mochizuki, Vol 1-8: Shounen series set in a pseudo-Victorian world about a boy who falls into an abyss, gets linked to a residence of the abyss named Alice, and pops back out 10 years later, thinking it's only been a few minutes. Alice in Wonderland references are a dime a dozen, but in a fun way. I read a bit of this when it first hit stateside, liked it, but kept not getting back to it. The actual plot, once stripped of the trappings, is fairly typical shounen, but I find it very entertaining and enjoy the characters and am generally a sucker for "Lookit my Lewis Carroll references, aren't the clever in their blatancy?" Also, the main character, Oz, gets spoiled for a major character death in his favorite book series (that he's now 10 years behind on) and pretty much has what's my internal reaction anytime someone blithely lets out major spoilers for something I'm reading/watching. Except that his reaction is very very external.

There is one thing that bugs me though.

spoiler )

What do you think you'll read next?

Pretty sure reading the rest of what i'm on now will keep me occupied for a bit.
meganbmoore: (labyrinth: reading)
This is actually...what, 3 weeks of books?

What are you currently reading
Nothing, ATM. Finished my plane-reading book last night before bed.

What did you recently finish reading?

The Mark of Athena by Rick Riordan. I'm glad that this time, when Annabeth got a quest, it was actually about her. (IIRC, when she had an official quest in the first series, it still ended up being mostly about Percy. Really, it's a good thing I like Percy.) The humor is still there, not to mention the characterization and entertaining takes on mythology, and I'm glad that the series is considerably more diverse now, but I think Riordan may be starting to have a few too many things going at once now. I mean, I can't even remember if Jason orr Frank had any POV chapters. (Though, in Jason's case, I may just not have noticed them. There's nothing particularly wrong with Jason [aside from being named after a Greek hero i'm not exactly fond of], but there's nothing incredibly right with him, either, he's just kinda inoffensively but uninterestingly there.) And yet, I'm pretty sure we'll also be getting Nico chapters in the next book, and despite the potential overpopulation of narrators, I can't help but think Reyna is due some POV chapters, too.

The Demon Catchers of Milan by Kat Beyers. YA about Mia, a girl who, after being possessed by a demon, is carted off to Italy by her father's estranged relatives to learn to be a demon hunter. It takes a little while to get going and has a bit much family drama and "Oh look! Italy!" and not enough supernaturlal worldbuilding and demon hunting, but generally pretty solid and enjoyable, though it's very much a book meant to be the first in a series.

Personal Demon by Kelley Armstrong. I have no particular thoughts about the plot of this one, but i enjoyed it. This is the first (only?) book in the series where part of it was from a male character's POV. Which I raise an eyebrow at in a series titled "Women of the Otherworld," but at least it was Lucas, who at least is one of the few men in the series who I like. This is also the first (only?) book in the series with POC narrators (Lucas is Cuban and Hope, the other narrator, is Indian). I was disappointed to find the Hope/Karl relationship having some of the same issues as Elena/Clayton, though not nearly to the same degree, and in a much more palatable form.

Imaginary Girls by Nova Ren Suma: Two years ago, Chloe found a dead body floating in a boat in the reservoir near their hometown, at a sight where another town is said to be under the water, still intact, citizens and all. Chloe was promptly removed from her half-sister, Ruby's, care by her father, their mother having effectively abandoned them a while back. Ruby vows to return things to exactly the way the were before, and to bring Chloe back once she's done so. When she does bring Chloe back, she does so without Chloe's father's permission, and one of the first people Chloe encounters is the dead girl, London, who everyone believes has been in rehab for drug abuse. This is a wonderfully spooky and atmospheric YA gothic novel that is not only completely unconcerned about men and romantic plotlines, and completely absorbed with the relationship between Ruby (who is something like what I picture Allison DiLaurentis from Pretty Little Liars would be like if she were older and had a sister, or the titular Rebecca from Daphne DuMaurier's novel) and Chloe.

The Friday Society by Adrienne Kress: Note: this is the book I read flying home from WisCon while half-dead. This is an Edwardian Steampunk book about 3 assistants who band together to become a super-heroine team. No, really, there's a scene where they all sit down to choose their super hero code names and, had I not been in the middle of a crowded plane and thus expected to act like a mature adult, my inner 13-year-old would have taken over, clutched my fists to my mouth, and let out a high-pitched girlish squeal of delight. So, anyway, Cora, and inventor's assistant, Michiko, a fight-instructor's assistant, and Nellie, a magician's assistant, all stumble across a dead body one night after a ball they all performed at. HIJINKS ENSUE. Hijinks unfortunately often consisting of boys, but also consisting of getting drunk, confronting "mad scientists," creative B&E, fights, inventions, superheroine costumes, investigations, fights, and bonding. There are a lot of groany orientalism cliches with Michiko (though fewer than I'd braced myself for) and the book sometimes thinks it's cleverer than it actually is, but overall, I thought it was a lot of fun.

Discord's Apple by Carrie Vaugh: Note: This is the book that I was reading at WisCon when hibernating/everything but my eyes was dead. This book somehow manages to successfully combine Greek Mythology (and especially the Trojan War), the apocalypse, and Arthuriana into a story about a comic book writer who goes home after learning her father is dying and discovers that he and her ancestors have been the keepers of a storeroom that hold all of history and mythology's magic artifact. (Yes, her basement is Warehouse 13. It was published in 2010, so Vaughn and SyFy probably had the idea around the same time.) World War III is gearing up (wreaking havoc on Our Heroine, Evie's, plotlines) various immortals and mythic figures, lead by Hera, the only surviving member of the Greek Pantheon, is trying to gain access to the storeroom, along with Sinon, (the Greek warrior from The Aeneid, who pretended to be a defector to convince the Trojans to take the wooden horse inside the city walls) who was snatched from Troy by Apollo and made Apollo's immortal sex slave (literally) and hopes the storeroom has a weapon that can kill him. Somewhere along the way, Arthur and Merlin show up and effectively declare themselves Evie's sidekicks as part of team Save The Storeroom. (Well, Arthur does, Merlin is more dragged along, grumping the whole way.) Lots and lots of stuff going on, but Vaughn pulls it all together pretty well, and I enjoyed it a lot. Warnings, though, for off-page m/m slave rape that goes on for decades inbetween flashbacks.

What do you think you'll read next?

Not sure. I have some books that I got at WisCon that I really want to get to, but also have some books from the library that I renewed just before leaving for WisCon.
meganbmoore: (ww: diana artemis)
Heroes of Olympus, the sequel series to Percy Jackson and the Olympians, isn't as good as the first, but is still pretty fun. The first book is about an amnesiac boy named Jason who wakes up between two other demigods-Piper and Leo-on a bus just in time for the bus to be attacked by air spirits and the three-who don't know they're demigods-to learn learn that their gym teacher is a rabid, homicidal satyr.

Annabeth shows up and announces that PERCY IS MISSING and that she was told she'd find the answer to his disappearance at the bridge where she meets the three new kids. At first, I thought Jason was going to turn out to be Percy with amnesia and hidden in plain sight by the gods with a new face, but that possibility was quickly done away with. Then literally 5 minutes after learning who their respective godly parents are, Camp Halfblood learns Hera has been kidnapped and the three new kids are given a mission to rescue her.

I don't think this is too spoilery, but just in case. )
There are also lots of deadly/tragic secrets and personal and family curses running around, and Riordan is exploring almost entirely new areas of mythology from the first series and seems to be trying to make most of the new characters-lead and otherwise-be diiferent (sometimes almost antithetical) to the general types he portrayed their subset of demigods as in the first series, with mixed results in both cases, though not really with anything that makes me want to hit something. The characters are also starting out in their mid/late-teens instead of being 12, which I like. Both books seem largely to be set up for the rest, and I'm looking forward to seeing what happens. And hoping Annabeth gets POV chapters.

Also, there's lots of "Raised by wolves! And ghosts!" going around. And Riordan seriously ships Annabeth/Percy to an almost ridiculous degree. As in "it's a good thing I like this pairing, too, or this could get annoying."
meganbmoore: (cleo2525: cleo + hel)
These are the first two books of Riordan's "Kane Chronicles" which is Riordan's take on modern kids and Egyptian mythology. Riordan relies heavily on what worked for the "Percy Jackson" books here, but not so much that he's copying himself.


Carter and Sadie Kane are siblings who only see each other two days a year because of a custody battle between their father and maternal grandparents after their mother's death. Carter travels the world with their archeologist father, and Sadie lives with their grandparents in England. Except, as it turns out, they're descended from pharaohs on both sides of the family tree, and are powerful magicians, which they learn after their father accidentally frees Set, gets possessed by Osiris, and then booted to the underworld in a magic coffin.


The narrative is split fairly equally between Carter and Sadie's POVs (Riordan formats this as the two making records and telling different parts of the story. I...think this doesn't work as well as it could because they both say things on the recording that I just can't see them saying in something that they expect a lot of people to eventually hear. Both voices are entertaining and distinctive enough, but both read a bit like Percy-lite.


As much as I like the Percy Jackson books and their mythology, I think I may like the integration a bit more here. In this series, the gods use humans as avatars, and so tend to be a bit more involved in the main action. (My favorite of the gods so far is Bast. Of course, she's also been around the most, so it's easier to get invested in her.) In addition, instead of the various teens having superpowers specific to godly parents, they have the ability to use magic and are able to choose what type of magic they'll learn. There's also considerably more racial diversity, and both leads are biracial (Sadie and Carter's father is black and their mother white, though Sadie looks exactly like a miniature version of their mother). So far, while we're told Carter is the Epic Destined Hero, the metaplot and action have revolved a lot more around Sadie. We'll see.


Incidentally, I suspect there are conversations in the underworld like this going on all the time:


spoilers )
So, anyway, so far they're fun, though I wish the narrators sounded a bit less like Percy. My one real beef so far is that sometimes the books seem to be going "If only that darned Isis had left things (which is to say, powerful men) alone and not tried to have her own power and interfere with things!" It makes me want to imitate Bast and have my hair turn into a bristly poof.
meganbmoore: (pj: annabeth)
Despite the Greek mythology connection, I dismissed this series as one that wouldn’t appeal much to me, as it was clearly intended for 12-year-old boys for ages, but then I heard that it actually depicted ADHD and dyslexia, instead of only mentioning or stereotyping them.

These are very much books for 12-year-old boys, but pretty entertaining ones, and while the depictions of ADHD and dyslexia still have problems, they’re handled much better than the norm.

Percy Jackson has ADHD and dyslexia, exactly one friend, is hated by his math teacher, has never met his father, and has an uberjerk for a stepfather. At least his mom’s nice? When his math teacher transforms into a winged monster and tries to kill him, Percy learns that his best friend, Grover, is a satyr, and that he’s the son of a Greek god and has to get to Camp Half Blood, a safe place for the half-human children of the gods that’s run by the centaur Chiron and the god Dionysus, before all the monsters of mythology try to catch and eat him.

And then he learns that his father is Poseidon and everyone thinks he stole Zeus’s master thunderbolt, so the Oracle of Delphi (who is a mummy in the attic) sends him on a quest to recover it, along with Grover and Athena’s daughter, Annabeth. (Before everyone justifiably has an apoplexy, Athena is still a virgin. She gifts her favorite mortals with “brain” children. Which is less, uhm “eccentric” than impregnating women by turning yourself into a beam of light. I’m just saying.)

The first book only really touched on the more commonly known parts of Greek mythology, but later books get considerably more in depth. In general, the series is a string of adventures either loosely or directly based on an adventure from mythology, with each book loosely following the adventures of a Greek hero. Book 1 is Perseus, book 2 is Odysseus, book 3 is Hercules, book 4 is Theseus, and book 5 is Achilles, with some switching up throughout. However, while Percy is the main character and so largely the default performer of heroic feats, he isn’t always the one to reenact the myth. For example, while he starts out The Last Olympian in the role of Achilles, he moves to more of a Hector role, and the Achilles role is more filled by Ares’s daughter, Clarisse. (If Hector and Achilles were on the same side. Usually.) Also, while there are plenty of demi-gods of both genders, most of the other demi-gods featured in a traditionally heroic role are girls. Actually, Percy is frequently rescued by teenage girls. (Riordan is actually fairly critical of the douchebaggery frequently committed by the heroes, so I suspect this is no accident.)

That said, Riordan has a definite preference for gods over goddesse s(gods are cool and goddesses…probably aren’t!), and chunks of the first book feel like he’s dealing with some leftover childhood issues relating to being bullied by girls. Also, while the ADHD and dyslexia are better presented than usual, all the demi-gods have ADHD because they’re meant to be warriors and heroes, so the ADHD makes them supercool in battle, and the dyslexia is caused by their brains being hardwired to read ancient Greek. Despite the “This condition actually makes you super special!” part, though, the real-world difficulties and consequences are shown. Also, the series often seems almost aggressively white. Most characters whose appearance is given are white, and the only demi-gods who appear to be POC (based on their surnames, which isn’t always the most accurate way to judge these things, but…) are traitors. Also, I rolled my eyes a lot at “The U.S.A. is the heart of western civilization and has been for ages and ages!”

The series is no great work of art, but is pretty enjoyable. There’s a sequel series coming out, but this lead is apparently inspired by Jason, and while I have no problems reading about a kid based on Perseus, I am decidedly not fond of Jason.

For the curious, my favorite characters are Annabeth, Thalia and Clarisse, and my favorites of the gods are Apollo and Artemis.

In order, the books are:

The Lightning Thief
The Sea of Monsters
The Titan’s Curse
The Battle of the Labyrinth
The Last Olympian

Then I watched the movie (and made a poor soul watch with me) which may have been a mistake.

As near as I can tell, the thinking behind the movie was to take the general idea of the book and run around willy-nilly with it. This was accomplished by:

1. Age-ing the character from 12 to 17~ without, you know, adjusting their maturity levels or actions.
2. “Tightening up” the story by removing everything that actually made the plot make sense.
3. Transferring all emotional and personal motivation and conflict to Percy.
4. Removing as many female characters as possible. This will help enormously with #s 2-3. (I started keeping count at one point. I think the number was 6. 7 if you include a character not in the first book, but who hugely impacted most of the cast, including why a lot of the characters acted the way they did.) Also, trying to combine two female characters with vastly different personalities into one totally works.
5. Stereotypes are awesome. Character development and experience are pointless.  Ditto for actually developing skills and learning how to use your abilities.

That said, the acting was pretty good, and it was nice to look at, with much better effects than I was expecting. Also, Uma Thurman’s small part as Medusa was fabulous. Skip the movie as a whole, but watch that part if you can. Also, the moviemakers possibly noticed the apparent overwhelming whiteness, and so made 2 characters black? But it was by making Persephone abused and bitter, and Grover a not-bright guy who chases after anything with breasts and goes on a lot about how it’s his role to sacrifice himself for the awesome white hero.

So: Books are fun but not perfect. Watch the movie only to snark. And maybe look at the pretty.

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