meganbmoore: (or at least a tolerable one)

These are two earlier (I think her earliest) books of Abe’s. Both are Medievals, and I think Abe is definitely better suited for the Medieval setting than later settings.

In A Rose in Winter, Solange and Damon were Young And In Love, but he was poor and her father promised to help him reclaim his lands if she’d dump him and marry Creepy Older Guy. So she dumped him and married Creepy Older Guy, who was an alchemist who kept her prisoner and used her blood in experiments. Because women can NEVER dump the hero and end up with someone who isn’t an abuser, much less decent. Anyway, dad dies and sends Damon to tell Solange, and she’s all “Oh, my husband? He’s actually JUST NOW GONE. I mean DEAD. Which I had nothing to do with. It’s tragic. We should totally run off back to England NOW. Let me bat my eyes to keep you from thinking about this too much.” To which he goes “I am angry that you dumped me and your father lied to me about it and I should be really suspicious but you bat your eyes so prettily.

It really feels like a first book, and a lot of it is forgettable, but it has some interesting bits, and Solange is very much a prototype for Abe’s icy, isolated heroines. Which, combined with the not-quite-typical plots, are why I put up with her annoy alpha heroes. Damon was actually much less alpha than I was expecting based on Abe’s later heroes, but made up for it with “me man, you woman, you stay in room unless I say otherwise!” near the end.

In The Promise of Rain, Kyla and her brother are in hiding because their father was accused of murdering their mother and her supposed lover, and the king thinks he’s still with them, and Roland, aka, Future True Love, has been sent to bring him in. The book opens with failed crossdressing, and then flashes back to Kyla’s 11~ brother dying in an attack supposedly instigated by Warwick. There’s bickering as he drags her back to the king, then Abe conveniently forgets about the part where he’s supposedly responsible for her brother’s death for about 150 pages, only to have them suddenly remember it just when things were getting comfy.

I actually read this first, and was surprised by the tolerable levels of controlling-alpha-male for a good while there, especially given that the plot would be iffy even with an author I trusted a lot more. And then “me man, you woman, you not move an inch FOR YOUR OWN GOOD” showed up and kinda took over near the end. Oy.
meganbmoore: (dragontamer)
This is the third of Abe’s Drakon books, and there’s at least one more after it. The first book in the series is pretty clearly the beginning of a series, but is pretty standalone, while the second sets the stage for the meta-arc, which kicks off here.

The drakon (people descended from dragons, which gives them certain abilities, including, for a few, the ability to become a dragon) of Darkfirth have lived in isolation in England for centuries, just another town that most have never been to. For years, their current Alpha, Kimber, has been corresponding with Maricara, princess of a clan of drakon in Transylvania that they never knew existed until she began the correspondence. Maticara’s younger brother is officially the head of their clan, but everyone knows it’s really Maricara who’s in charge. When two drakon are killed, Maricara easily identifies them as spies of Kimber’s, and quickly realizes that there’s a serial killer targeting drakon, and that the killer has most likely learned about Darkfirth, so she decides to go to England to warn them, and to finally meet Kimber face-to-face.

Kimber has also been wanting to meet Maricara for years, and his clan has been planning to eventually invade and combine the two clans for just as long. Kimber and Maricara are also both Alphas, and so it’s automatically expected that they should marry. I can understand the biological imperative involved in mating your most powerful members, especially when that means your clan has someone who can become a flying, armored, 30-foot-long creature that breathes fire. Useful to have around. Unfortunately, Kimber, and the rest of Darkfirth, doesn’t really bother to ask, and just assumes. Similarly, no one ever thinks to actually go to Transylvania to talk to Maricara and her brother about combining forces and forging treaties. The men who rule Darkfirth are pretty much privileged losers.

Shana Abe, IMO, writes some of the best heroines in the genre (and has pretty interesting plots), and Maricara is no exception. She’s confident efficient, and smarter, cleverer, and more skilled than anyone else in the book, and in a believable way. Unfortunately, Abe still likes to pair her heroines with controlling alpha males, and while Kimber is far from the worst (that would be his father) he’s still frustrating. After Dream Thief I had hoped that Abe was getting past that, but I guess not. Though, really, he isn’t nearly as bad as some others. There’d be hope for him if he didn’t have abandonment issues and a dozen men pressuring him to be an alpha jerk. Thankfully, the next book appears to be about his brother, Rhys, and the girl Rhys had a crush on when hormones arrived (Abe loves her unrequited childhood crushes, and so do I), and Rhys didn’t seem to be very alpha here.

I hope that, after the last book in the series, Abe returns to medievals, as I think her plots and characters work better in that setting.
meganbmoore: (magic)
This is the second book in Abe’s Georgian-set series about a race of people who are actually dragons. It’s probably a testament to Abe’s abilities as a writer that I can take “And they turn into dragons!” seriously.

Amalia is the daughter of the clan’s Alpha, and is the only one in her family who doesn’t have the ability to change form. She does, however, have the ability to dream of possible futures, and in the future she dreams of the most often, she’s the lover of Zane, a former street thief and friend of her mother’s, who is the only human to know about the drakon and be allowed to live. When Lia’s mother, Rue, hires Zane to find a gem that has the power to enslave the drakon. He’s surprised to stumble across Lia in his search, especially since she’s supposed to be in finishing school. Lia, however, claims to be the only one who can guide Zane, and so he allows her to come with him, not knowing that Lia’s dreams have told her that he’ll either be the drakons’ ally, or use the gem to wipe them out.

I read Abe because I like her plots and love her heroines, but I typically find her heroes unbearably alpha, and things tend to work out with the hero forcing the heroine to conform to the life he’s dictated. (In an extremely weak and unenthusiastic defense, I do think that’s more a case of Abe’s impressions of how any romantic relationship of the times would work out, as opposed to what she thinks is right, but there’s almost no mileage at all to be gotten out of that.) Zane, thankfully, isn’t nearly as alpha as Abe’s other heroes, and his alpha moments tend to be of the alpha protector variety, not the alpha controller. I think this is the first Abe book where I’ve liked both leads! If she continues writing her heroes this way (her icy, isolated, desperate heroines have always been right up my alley) she could become one of my favorites. I also think she’s better at adventure and myth than at straight drama, and this one had a lot of focus on the former.
meganbmoore: (damsel in distress)
I’m starting to notice a trend in Shana Abe’s romances. The hero and heroine will have known each other or been betrothed since childhood. At some point, the heroine will go off and have to survive the world on her own, becoming strong and independent along the way, and then the hero will show up to “claim” her, much to her objections.

Kit Langford and Clarissa Rue Hawthorne are both children of a tribe of drakon-people who can turn into dragons or smoke, Kit is the male Alpha, the head of the clan. It’s been generations since there has been a female alpha to survive the Turn that gives them their abilities. Rue is a half-breed who has always been looked down on by the tribe, and when she survives the Turn on her 17th birthday, she fakes her death to escape being married to him.

Years later, she’s living in London as a cat burglar, complete with some secret identities. When the tribe realizes that only one of their own could be pulling off the heists, they send Kit to London to draw the thief out, using their own jewels to draw the thief out. While Rue is too smart to fall for that, someone else isn’t, and when Kit finds her, she ends up getting blamed, even as Kit and the rest of the tribe declare that, as a female Alpha, she has to marry Kit.

Despite the fact that it relies on a Big Misunderstanding, I like the overall plot, and I adore Rue. Kit…well, to be fair, Abe’s alpha male heroes aren’t as bad as many of them in romantic fiction are, but at the same time, most heroines haven’t struggled as long and hard to have their own, independent lives as her heroines have. Kit talks about how he likes her being so fierce and independent, but spends most of his time blackmailing her and telling her how she has no choice but to be his wife. Great way to both show and earn respect, there.

Like the other Abe books I’ve read, I’m happy with it overall, I just wish the hero wasn’t so alpha and determined to take her freedom from her, or at least that I was really convinced that he respected her.
meganbmoore: (enchanted-nancy and edward)
When she was fifteen, Amiranth was wed to Tristan, a knight she’d adored from afar for years, but never actually spoken to. On their wedding night, he spoke another woman’s name, and a week later, he left her waiting for him at a small country estate while he ran off to the crusades. She didn’t exactly remain smitten for long.

more )
meganbmoore: (Default)
When she was fifteen, Amiranth was wed to Tristan, a knight she’d adored from afar for years, but never actually spoken to. On their wedding night, he spoke another woman’s name, and a week later, he left her waiting for him at a small country estate while he ran off to the crusades. She didn’t exactly remain smitten for long.

more )
meganbmoore: (liu yi fei)

A hundred years ago, a fae assaulted and murdered the wife of the lord of Kincardine, and in his grief, he made a deal with the devil for revenge.  The devil, however, didn't need any extra souls at the time, so instead of taking that, he cursed the clan with the typical poverty and loss of children and such for a hundred years, until the bride-a warrior woman with silver hair and violet eyes-returned to the clan.  Hanoch Kincardine, the last lord of the clan, recognized that Avalon(ignore the name, ok?) was the bride as a child, and when her father's keep was attacked by picts when she was seven, he rescued her and raised her among his holdings, training her to be the warrior bride of legend, having already betrothed her to his son, Marcus, before her father's death.

Avalon, however, despised his harsh upbringing and the legend that ruled her life, and was happy to escape when her cousin, Bryce, learned of her survival and summoned her back to England.  Five years later, Avalon believes she's found an escape from all the men who keep yanking her around, but just as she's about to do so, she learns that Bryce has arranged to wed her to his brother.  However Marcus, newly returned from the crusades, is warned, and is having none of that.

A lot of the plot follows the standard medieval romance tropes-childhood betrothal but never met, abduction after planned wedding to someone else, alpha male scarred(physically and emotionally) by the crusades, etc.-but works better for me than a lot of the others.  I think largely because, while most of these romances set up the heroine to have problems but in the end, just have them be "rescued" by the hero, and the make the entire story about his angst and issues, TTL remains primarily Avalon's struggles and her attempts to have some control over her life.  Marcus has his angst, and it's dealt with, but the story is mostly Avalon's story.  

more )


Does anyone have any other Shana Abe recs?

meganbmoore: (Default)

A hundred years ago, a fae assaulted and murdered the wife of the lord of Kincardine, and in his grief, he made a deal with the devil for revenge.  The devil, however, didn't need any extra souls at the time, so instead of taking that, he cursed the clan with the typical poverty and loss of children and such for a hundred years, until the bride-a warrior woman with silver hair and violet eyes-returned to the clan.  Hanoch Kincardine, the last lord of the clan, recognized that Avalon(ignore the name, ok?) was the bride as a child, and when her father's keep was attacked by picts when she was seven, he rescued her and raised her among his holdings, training her to be the warrior bride of legend, having already betrothed her to his son, Marcus, before her father's death.

Avalon, however, despised his harsh upbringing and the legend that ruled her life, and was happy to escape when her cousin, Bryce, learned of her survival and summoned her back to England.  Five years later, Avalon believes she's found an escape from all the men who keep yanking her around, but just as she's about to do so, she learns that Bryce has arranged to wed her to his brother.  However Marcus, newly returned from the crusades, is warned, and is having none of that.

A lot of the plot follows the standard medieval romance tropes-childhood betrothal but never met, abduction after planned wedding to someone else, alpha male scarred(physically and emotionally) by the crusades, etc.-but works better for me than a lot of the others.  I think largely because, while most of these romances set up the heroine to have problems but in the end, just have them be "rescued" by the hero, and the make the entire story about his angst and issues, TTL remains primarily Avalon's struggles and her attempts to have some control over her life.  Marcus has his angst, and it's dealt with, but the story is mostly Avalon's story.  

more )


Does anyone have any other Shana Abe recs?

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