meganbmoore: (magic)

Nine-year-old Tiffany Aching is the dairy maid at her family’s farm. She likes to make cheese and has memorized the dictionary, even though she doesn’t know how to pronounce a lot of the words. When her little brother is attacked by a monster in the river, she beats in off with a skillet, looks up the monster in a storybook, then heads to town to see if there are any visiting teachers who can fill her in on the proper way to fight monsters.

Clearly, she will soon be a very frightening young lady.

Everyone in the area hates witches, but that doesn’t stop a witch named Miss Tick from investigating a disturbance she sensed in the area. Undercover, of course. When she hears Tiffany’s story, she realizes that the Queen of the Elves is trying to invade Discworld. Again. Tiffany also discovers a horde of 6-inch-tall blue men, the Nac Mac Feegle, with heavy brogues and a bizarre outlook on life. Strangely, they seem to have taken a liking to Tiffany, despite being a menace to everyone else. When the Queen kidnaps her brother, Tiffany takes off to rescue him with the skillet, the talking toad, and the little blue men, despite strict instructions to wait while Miss Tick fetches more witches.

The book is ridiculously fun, with lots of send ups to various myths and fables, and a few more modern fantasy tales. And I particularly like how, despite having magic, tiffany mostly succeeds by being very, very clever. I did heave a big, disappointed sigh, though, when the Nac Mac Feegle mentioned how things sucked with just the queen around, and were way better when there was a king. Though at least, in this case, the king is also held up as being responsible for the sad state of Fairyland, and for fighting with the queen, and it seems that it was better when he was there because there was a king and a queen, rather than because there was a king and now there’s a queen. But still. (I suspect the irritation is mostly Alice's fault.)

meganbmoore: (tremaine)
Mort’s father thinks that Mort thinks too much to ever be a good farmer, and so he takes Mort to a local hiring fare, hoping he’ll be chosen as someone’s apprentice. It looks like he’ll be left to rot when a cloaked skeleton on a white horse rides up and offers him a job as his apprentice. At least, Mort sees a cloaked skeleton offering him a job as Death’s apprentice. His father sees an undertaker.

This is kind of a take on “Death takes a holiday” except that this Death tries to actually be responsible about it and train a replacement. Mort, however, isn’t very good at it and seems to mess up as often as not, something that Death doesn’t seem to notice. He’s too busy playing with kittens and trying to make more creative bugs and hint that Mort should marry Death’s adopted daughter, Ysabell. Since Mort and Ysabell pretty much hate each other, Mort is trying very hard not to notice the hints, and Ysabell is hoping that he’s successful at that.

This is my third Pratchett, and probably the one that worked best for me, though I spent a lot of it not really sure what I thought of it. I thought Death was a hoot (though I was briefly worried that he was going to make kitten curry, and if he did, you can just keep it to yourself) and enjoyed the zaniness of Mort’s mistakes and his various allies. I wouldn’t have minded reading an entire book at the princess who was supposed to die but didn’t, but the universe thought she was so she had to forcibly remind everyone she was there.

Also, Pratchett spent a lot of time dwelling on the fact that Discworld is supported by four giant elephants standing on the back of a giant turtle swimming through space. This made me wonder if there were people who lived near the edge of Discworld who could actually see the elephant’s heads, or see over the side. Or is that one of the things Pratchett would say their brains protected them from and would create an alternative?
meganbmoore: (magic)
A wizard, Drum Billet, is dying, and wants to pass his staff on to another wizard. The 8th son of an 8th son is being born to a nearby blacksmith’s wife, and as 8th sons of 8th sons are always wizards (I take it 8 is Discworld’s 7?) he chooses that boy. Except that the son is actually a daughter, Esk. Apparently, male and female magic is different, and so all male magicusers are wizards, and female magic users are witches. Whoops. The local witch, Granny Weatherwax, does her best to properly train Esk as a witch, but Esk has too much magic that’s too different, so Granny decides that she has to be trained by the wizards.

The book started fairly slow for me, but picked up once Granny Weatherwax and Esk hit the road. I’m particularly fond of Esk’s attempts to strike out on her own. (She seems to do this a lot.) Granny Weatherwax is fun, especially with her belief in headology, and her interactions with wizards are fun, but something about the book didn’t quite click for me. It seems to present itself as a “battle of the sexes” book, but most of the battle seems to be stubbornness, and for some reason, it never quite properly clicked for me. I think, though, that this is very early Pratchett.

I’m not sure Pratchett’s sense of humor quite matches mine (or maybe it’s the nonstop aspect of it) but I do find him funny in a slightly-distanced way, and I like his characters. I still wish, though, that he had chapter breaks. Logically, I realize that scene, setting, and perspective shifts are clear and easy to follow, but my brain still associates chapter breaks with organization, and I’m one of those people who wants to know how far it is to the next break, no matter how into something I am.
meganbmoore: (blind warrior nun)

This is the first book in what I understand is a subseries of Pratchett’s Discworld series.

The book focuses on the Night Watch of the city of Ankh-Morpork. The Watch is essentially a joke. Guilds have made everything that should be illegal legal, and the Watch is composed of a group of misfits who seem to spend their time drinking and avoiding work and looking for things to steal. This changes (maybe) with the introduction of Carrot, a human foundling who was raised by dwarves who was sent to the Watch because people objected to his sniffing around a certain dwarf girl’s skirts to gain character and experience. Carrot has memorized all the laws and ordinances of Ankh-Morpork and is determined to uphold them.

Which results in his arrested the leader of the Thieves Guild on his first day. While his fellow Watchmen try to make him understand how the city works, it also inspires their leader, Vimes, to take a closer look at some recent events in the city.

“Recent events” being that, prior to Carrot’s arrival a secret society decided that they were being oppressed by…well, really, but pretty much everything that exists. To get rid of the oppression, they decided to replace Ankh-Morpork’s Patriarch. To do so, they summoned a dragon so they could create a hero to defeat it and become a puppet king.

This is a very fun, very tongue-in-cheek, mostly straightforward parody of your standard Fantasyland city and plot. I had fun, but I’m afraid I didn’t retain a whole lot. That, however, may have more to do with my being rather exhausted a lot lately. I found it disconcerting, however, when I realized about 2/3 through that only one woman seemed to have a speaking role, and that primarily becomes she seems to be being set up to be Vimes’s love interest (but she breeds swamp dragon’s and when told she has to be a sacrifice to the dragon, she misdirects her fetchers then does her best to run away screaming for help, so I can’t complain about her). Other women are mentioned, but either because they’re the girl Carrot left in the dwarven mines, prostitutes, or in the context of whether or not their virgins, and thus suitable as dragon sacrifices. All of which makes perfect sense in the context of the Fantasyland parody that the book has going for it, but it was an odd realization.

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meganbmoore

July 2020

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