meganbmoore: (xxxholic)
It’s unfortunate that I don’t find the individual stories about Hiruko’s various customers particularly interesting (though it may be more accurate to say that, at this point, their stories and nightmares are starting to run together), given how much I like the setting, art (the linework for the characters is fairly common, but the imagery and backgrounds are lovely) and the main characters and what’s going on with them.

Actually, the mangaka seems to be striving for new nightmares, as several of the ones here are rather uninspired, and there are several sections here that could be summed up as “Hifumi messes up and causes trouble for Hiruko.”

When the book shines, however, is when it focuses on the tragedy and mystery of Azusa and Hiruko, and their relationships with Mizuki. Both of which are kept just on the right side of depressing by Hifumi and his…Hifumi-ness. We finally get some real answers regarding Azusa and Hiruko, and a good indication of what’s happened to Azusa. We also meet another, less-nice Baku, and, maybe most importantly, get a look at Mizuki’s thoughts on the whole situation, and on Azusa, from before Azusa’s illness.
meganbmoore: (xxxholic)

The individual stories about Hiruko’s customers continue along the same vein. I continue to be fondest of the ones directly tied to the time period. More post-war trauma dreams, please!

The main story, though, about Hiruko and Mizuki and Hiruko’s past, seems to be picking up steam. And acquiring Clamp-like angst.

spoilers )
meganbmoore: (xxxholic)
This continues to be set apart from the rest of its ilk largely by the 1920s setting, which remains wonderfully atmospheric. Hiruko and Mizuki (she finally gets a name) are also joined by several new castmembers. Primarily Kaira, who runs The Delirium, a place similar to the tea shop, save that people go there when they’ve become lost in their fantasies, not to get rid of nightmares, and Hifumi Misumi, the son of a nouveau riche who is looking for Hiruko on what seems to be a lark to see if a Baku really does exist, and ends up renting rooms. Kaira wears glasses and always has a book in his hands, and Hifumi is a cheerful idiot with a cat.

The mangaka seems to be exploring the setting as a post-war era more here than s/he did in the first volume, while still maintaining the nostalgic feel. There also seems to be a bit of a fascination with silent movies. I approve of all of this. I also like how the dreams of some customers end up affecting other customers later on, instead of being one-off things. For the stories in these volumes, I’m especially fond of the one with the woman who thought her lover died in the war, and that his soul was in the painting he didn’t finish before he left, and the two lovers who ran away from her father, but had different memories about why they failed. I also liked the one with the writer who couldn’t finish his story, but there mostly for the endless spiral staircase of words.

spoilers )
meganbmoore: (xxxholic)
Hiruko is a baku, a demon who eats dreams, in Japan’s taisho era. He operates out of the Silver Star Tea House, and seems to be its only regular customer. The pretty owner seems to blame this on him, but not hold it against him, even though people tend to run into her shop waving knives around. For the price of the dream itself, Hiruko will cure a customer of whatever nightmares plague them, though he may make the dream a little nastier before her does, just to make it taste a little better when he eats it. In this volume, we have silent film stars committing suicide in their fans’ dreams, inanimate objects coming to life so they can hug their owners, people losing body parts that represent enemies, and others.

I was a little bit surprised when I started reading and realized Hiruko was a guy. I…uhm…thought he looked like a girl from the cover, and when I quickly flipped through it at the store. Certainly doesn’t act like one, though. Like most of the “mysterious shopkeeper/deal maker who is part of the supernatural world” he seems to operate in a mostly gray zone. (One day, I should figure out why I seem to grab almost every one of these series I see.) He carries a cane that he uses to open portals into the dream world, and to whack people with knives who go after the as-yet-unnamed waitress. She is either a very tolerant girl, or up to something herself. That, or the shop is her nightmare. Or something. When he goes after dreams, he also has a suitcase that he hangs from the cane, but there’s no clue about what that’s for yet.

The taisho setting, I admit, is one of the appeals for me, though in terms of plot, it’s really only come into play in the chapter about the silent film star, and when the waitress was in awe of a customer who had his own telephone. Visually, though, it adds a great flavor to the book. Come to think of it, outside of Fushigi Yugi: Genbu Kaiden, I can’t think of any manga set in that period, and most of FY: GK takes place in a fantasy ancient China anyway.

Anyone know of any other manga set in the period, out of curiosity? 

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July 2020

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