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Alichino are beautiful creatures said to grant any wish. In truth, they will grant your desires only if you enter into a contract with them that allows them to destroy your soul, and binds you to them for eternity. When a young woman looking for an Alichino to save her ill brother stumbles across a beautiful young man, she initially mistakes him for one. The young man, Tsugiri, claims to know nothing about the Alichino, but in truth knows much about them, and even lives with one. Hunted by Alichino his whole life, Tsugiri is the last Kusabi, a being with the power to kill Alichino.

This is one of the most beautifully illustrated mangas I’ve read, and it has a very interesting premise. Unfortunately, it never quite lives up to its promise. The plot is interesting, but it never quite goes anywhere. Tsugiri is a fairly typical Last Of His Kind Hero. The supporting characters are more interesting. There’s primarily Enra, the man who raised him, and Myobi, the Alichino who lives with them. Myobi claims to hate Tsugiri, but actually adores him (I suspect in the context of a pet) and her appearance alternates between that of a white owl, and a gothloli little girl, though she’s much older than her human appearance indicates. Later in the first volume, they’re joined by Ryoki, the human Myobi is contracted to-and claims to love-who has somehow kept his soul. I was particularly interested in Myobi and Ryoki’s odd relationship, whatever it was.

I suspect that, had it continued for a few more volumes, this would have become a very compelling series. The potential is there, and the third volume is fairly close to realizing it. Unfortunately, as I understand it, the mangaka was injured after finishing volume 3, and right after she returned to the series, the magazine it was published in went under.

A few images from the series: 1, 2, 3, 4, 5, 6

Date: 2009-01-23 09:24 pm (UTC)
From: [identity profile] worldserpent.livejournal.com
I found this manga, despite the prettiness of the art, very difficult to follow visually, for some reason... Possibly it had something to do with the paneling.

Date: 2009-01-24 02:00 am (UTC)
From: [identity profile] meganbmoore.livejournal.com
Yeah, it doesn't have the best layouts. Not the worst either, though.

Date: 2009-01-24 02:57 am (UTC)
From: [identity profile] worldserpent.livejournal.com
It might have been the writing too, as well, I suppose.

Date: 2009-01-23 09:50 pm (UTC)
From: [identity profile] woodburner.livejournal.com
Oh man, I love the art from this manga so much. Agreed about the story, though. I think the mangaka has some really interesting ideas going on, but didn't know how to tell the story (or the characters) very effectively.

This is def. one series where I would (and did) buy it just for the art, though. I got the original Japanese volumes, which were done absolutely beautifully, with this heavy-weight paper and full-cover art with translucent pastel slip-covers and everything. Just. GORGEOUS.

Date: 2009-01-24 01:59 am (UTC)
From: [identity profile] meganbmoore.livejournal.com
I think this is one of those that could have turned into a series with a slow beginning that got really good, but...

(Sadly, it seems to be her only series.)

Date: 2009-01-23 10:54 pm (UTC)
From: [identity profile] keelieinblack.livejournal.com
I've always wondered if the experience with Alichino turned Shurei Kouyu off working on manga in general. She still does illustration work, obviously, and in theory was supposed to be working on the fourth volume of Alichino, but I don't think I've ever heard of her publishing it or another manga. It's a shame, since her art is amazing and she might have turned out something really impressive once she got her storytelling feet under her.

Date: 2009-01-24 02:01 am (UTC)
From: [identity profile] meganbmoore.livejournal.com
WOES!

But yeah, I really wish she had more series, esp. with tighter storytelling and characterizations.

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