TeeVee

May. 21st, 2013 10:10 pm
meganbmoore: (elementary: b&e)
Defiance 1.6: Kinda fillerish, IMO?
brief spoilers )

Elementary 1.23-1.24: Welp, anyone doubting that this show is a decontruction of the Sherlock Holmes canon and the genius/wrangler dynamic has hopefully been convinced?

spoilers )

Murder on the Homefront: This is either a stealth Sherlock Holmes adaptation set in 1940 in which Watson is a female reporter who Holmes absconds with form a crime scene to make his new assistant (short version: "Hey there, you didn't faint at the sight of blood and can type. You're my new assistant!" "Uhm, what?") or a fanfic set during the Blitz in which Nancy Drew is Holmes's protegee. Either works. So, yes. Terribly short (Only two episodes! Possibly set up for sequels? That the title isn't something related to the actual mystery plot but rather to the general concept gives me hope.) BBC miniseries about a serial killer who carves swastikas on his victims' tongues and a pathologist who uses early forensics (and girl reporters) to catch him. I am exceptionally iffy on the portrayal of the sole POC in the series, but otherwise enjoyed it considerably. It would probably appeal to fans of Foyle's War and/or The Bletchley Circle, though it has a bit more action and humor than those two, and isn't quite as well written as either.

Revolution 1.18: And once again, Revolution has an episode that has little to do with the promo. (And that was a better episode than the promo would leave you to believe.)

spoilers )

And I think everything I'm watching except Defiance, Revolution and Continuum is on hiatus.  Maybe i'll finally catch up on Bomb Girls and Nikita, not to mention the last couple episodes of Beauty and the Beast.

TeeVee

May. 14th, 2013 10:20 pm
meganbmoore: (elementary: b&e)
Continuum 2.4:

spoilers )

Defiance 1.5: Well that was...interesting.

spoilers )

Elementary 1.22:

spoilers )

Person of Interest 2.22:

spoilers )

Revolution 1.17: So, if I've been doing my math right, in terms of character deaths for recurring/major characters, we're at 6 white men, 1 white woman, and 1 black man.

spoilers )

TeeVee

May. 7th, 2013 09:57 pm
meganbmoore: (batb: partners)
Beauty and the Beast 1.20: (err...I think that's the latest episode's number)

spoilers )

Continuum 2.3: The true tragedy of this week's flashbacks was that poofy thing they did to Kiera's hair. The braid itself was fine, but the top poof is not my thing.

spoilers )

Defiance 1.4:

spoilers )

Elementary 1.21: Did Holmes just burn a GI Joe at the stake?

spoilers )Person of Interest 2.21: It worries me when a show only has 4 regular characters and one is MIA in the seasons penultimate episode.

spoilers )

Revolution 1.16:  This was a lot better than last week's episode, not that that would be hard to pull off.

spoilers )

TeeVee

May. 3rd, 2013 08:16 pm
meganbmoore: (revolution: charlie/crossbow)
Continuum 2.2: Way too much dudes trying to bond with other dudes, not enough Kiera shooting things and pwning people. Still a fun episode overall, and I particularly liked the flashbacks (flashforwards?).

Defiance 1.3:spoilers )

Lightfields: Like the Marchlands series from a few years ago, Lightfields is a 5-episode gothic miniseries from ITV loosely based on the failed FOX pilot The Oaks, focusing on 3 different families who live in the same house in different time periods, linked by the aparently vengeful ghost of a young woman who died under mysteries circumstances. I've never seen the pilot of The Oaks (having enjoyed 2 miniseries based on it, I suppose one day I should find out if there actually is a way I colud watch it) but based on my understanding, Marchlands is a fairly direct remake, while Lightfields simply runs with the general idea.

For Lightfields itself, part of the story is set in 1944, when a teenaged girl named Lucy dies in a barnfire. Her slightly older and considerably more worldly friend, Eve, who fought with Lucy shortly before her death, becomes obsessed with the idea that someone set the fire deliberately, and sets out to prove it. In 1975, Eve's younger sister, Vivian rents Lightfields (the farm run by Lucy's father) for the summer along with her teenaged daughter, Claire. Initially unknown to Claire, Vivian has been institutionalized more than once for depression, and when she begins to see Lucy's ghost, she doesn't know if it's a ghost or a hallucination, and begins to fear that she may have been involved in Lucy's death (she has no memories of the summer she spent there as a child). In 2012, Lucy's younger brother, Pip, returns to Lightfields, now owned by his son, Barry, for the first time in 68 years, and fears Lucy's ghost is attempting to hurt him through his great-grandson, Luke.

I liked the 1944 and 1975 parts a lot, and the 2012 part well enough, though not as muchh as the other two, and I found the resolution to what really happened to Lucy more satisfying than I recall finding the resolution of what happened to Alice in Marchlands, though I cant really say which series I prefer overall. One thing that I found a bit odd is the fact that Claire is biracial (white mother, black father) is never once mentioned in the text, even when a few local kids bully her. Then again, I actually have no idea how she would have been treated in England in the 70s, and am probably projecting American attitudes of the time onto the show. There are definite trigger warnings for depression for the 1975 parts, and I spent a lot of the later part of that plotline going "OMG NO DON'T", and bits that make you genuinely worry about the safety of a kid (though nothing nearly as harrowing there as The Secret of Crickley Hall) but if you can handle those and like gothic horror and teenaged girls running around Doing Stuff, I recommend it.

Revolution 1.15: All the promotional material for this episode made me suspect it was primarily the writers trying prove that they have a clue what to do with Aaron and Monroe. Having watched the episode, it really was a very desperate (and, IMO, failed) attempt to convince me that Aaron and Monroe serve a purpose and the writers have a clue what that purpose is, while throwing a couple women under a bus trying to do so. Also, I really dislike the potential of one plot development.

spoilers )

Still, this was the first episode of the series where there was more that I didn't like than what I did, the last 2 minutes were pretty ace, and the previews and promotional material for the next couple episode sounds like it's going back to being the show I'm signed up for after forgetting for a couple weeks.

TeeVee

Apr. 28th, 2013 12:32 am
meganbmoore: (mirrormask: book on head)
Both Revolution and Beauty and the Beast were confirmed for renewals this week, and since Elementary was renewed a while back, all 3 new fall shows that I picked up and am still watching are renewed. This is a first for me.

Beauty and the Beast 1.18-1.19:

spoilers )

Continuum 2.1:

spoilers )

Defiance 1.1-1.2: NO ONE TOLD ME STEPHANIE LEONIDAS WAS IN THIS SERIES. EVERYONE IS FIRED. (And with a wig and makeup that makes her look like Jool's extra temperamental younger sister.)

Actually, playing "spot the Farscape makeup" while watching is pretty fun. It wasn't quite as much fun to wonder if I was watching a reworking of the Eureka pilot in large parts of the pilot, though. (I guess the Eureka writers had to go somewhere? Good thing I liked Eureka.)

I give it 1 1/2 thumbs up. Half a thumb is denied because I find the two main male characters, Nolan and Datak, annoying and uninteresting and can tell that (A) they'll be everywhere and (B) I'm supposed to find Datak complex and fascinating, and Nolan roguish and charming (which I might, if they dial back the "chauvinism is cute and charming if it's coming from a scruffy white dude" bit a lot. I did start liking Jack Carter and Pete Lattimer after a little while, though, and all 3 are that same type of "all American white dude who isn't booksmart but has great instincts" thing SyFy seems to required almost all their main characters to have. I suppose I may eventually like Datak, too.) I do appear to be invested in their respective family dynamics, though.

I think this is connected to a video game, but i know little about that.

spoilers )

Elementary 1.20: Wow was this episode potentially triggering on various levels. (Though i liked the episode overall, but what a mystery plot to have for one of the few episodes I manage to catch live, and so not hear rumblings about beforehand.)

spoilers )

Foyle's War: Series 8: Set in 1946, the "final" (look, this is I think the 3rd time BBC has said "no more Foyle ever," so I figure there's a 50/50 chance they'll just keep cancelling it until Michael Kitchen says he's too old to keep this up) series starts with Foyle returning to England from America after the events of Series 7, and promptly being recruited by the foreign office (and then promptly recruiting Sam). The series largely focuses on the beginnings of the Cold War and England's post-war political and economic condition, and spymistress Hilda Pierce shows up and runs everything in every episode. Though overall feel is shaken up from previous series, a little bit closer to The Hour and The Bletchley Circle at times, but still excellent. Fair warning: the last episode deals fairly heavily with war crimes and PTSD.

Person of Interest 2.20:

spoilers )

Revolution 1.14:

spoilers )

I think I'm current on everything but Bomb Girls, Nikita, and The Borgias.  The first 2 only have a couple more episodes to air this season( or ever in one case, possibly in both) so I might as well wait, and I just haven't been in the mood for The Borgias.

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