meganbmoore: (basara-shuri)
Earlier, [profile] calixa decided she was going to watch the Rurouni Kenshin anime, then saw the sheer length of it and possibly got scared off.  I was, however, reminded of the sheer level of angst involved in Kenshin's scars, and am wondering:  can anyone beat that?


But you know, there are contenders for angsty scars.  Here are a few:

Scar in Fullmetal Alchemist:


Shuri in Basara:


Yum Moon in Emperor of the Sea:


Sandor Clegane in A Song of Ice and Fire:


Zuko in Avatar:


Honorable mention: Tokine and Yoshimori in Kekkaishi:


I'm not including the stardard eye/hand/arm loss as scars because...well, then it'd never stop.

Anyone else have any angsty scars contenders?  Gojyo and Harry Potter also come to mind, but it's too late to get into them. 

(Of course, I now find myself trying to remember the origin of Manji and Giichi's scars in Blade of the Immortal...I want to say we know at least some of Manji's, but not Giichi's.)
meganbmoore: (Default)
Earlier, [profile] calixa decided she was going to watch the Rurouni Kenshin anime, then saw the sheer length of it and possibly got scared off.  I was, however, reminded of the sheer level of angst involved in Kenshin's scars, and am wondering:  can anyone beat that?


But you know, there are contenders for angsty scars.  Here are a few:

Scar in Fullmetal Alchemist:


Shuri in Basara:


Yum Moon in Emperor of the Sea:


Sandor Clegane in A Song of Ice and Fire:


Zuko in Avatar:


Honorable mention: Tokine and Yoshimori in Kekkaishi:


I'm not including the stardard eye/hand/arm loss as scars because...well, then it'd never stop.

Anyone else have any angsty scars contenders?  Gojyo and Harry Potter also come to mind, but it's too late to get into them. 

(Of course, I now find myself trying to remember the origin of Manji and Giichi's scars in Blade of the Immortal...I want to say we know at least some of Manji's, but not Giichi's.)
meganbmoore: (tsubasa-kurogane)
Because the mailman is a shojo fan with psychic powers and is off fondling my Princess Tutu DVDs and cackling or some such, I just watched the Samurai X movie(the one based on the TV show, not the OVAs) and...ehm...mostly it was like the last 3rd of the TV series...one of those stories that manufactures events from Kenshin's past and brings in a person from said manufactured past event and creates the moral conflict and samurai angst and posturing.  It entertained me well enough for an hour and a half and that's all that really matters.

Except why was Yahiko so unprickly?  And why was Sano moderately smart and well behaved?  Not his normal "my cocky stupidity results in brilliance" thing, but...normal smart?  (And those two should cook for themselves if they're always going to complain about a girl's cooking.)  And why was Sano standing there and telegraphing every single move to Kenshin instead of, you know, doing something?  And why did Kenshin have his scars long before he actually got them?  And when did Kaoru develop the psychic ability to tell when Kenshin was losing a battle from miles away?  And what was with that Toki girl?  Did she have a single scene where she didn't gasp, cry, collapse, or do some combination of the three?  AND WHY WAS THERE SO LITTLE SAITO??

Especially that last one.

Butbutbut...

In the flashback at the beginning, the BLOOD GLOWS!  I enjoyed that more than I should have and was saddened the blood didn't glow every time.  I guess it was special emo tragedy blood.  But also, when Kenshin goes into Battosai mode, his hair glows, and stayed glowing until he snapped out of it.  And when Kenshin and Token Noble Foe From Kenshin's Past prepare the fight, their Battle Aura let out a blinding light that literally blinded everyone around them.

I made none of this up.

Why don't I have RuroKen icons?  (Specifically of Sano or Saito.  Especially of Sano.)
meganbmoore: (Default)
Because the mailman is a shojo fan with psychic powers and is off fondling my Princess Tutu DVDs and cackling or some such, I just watched the Samurai X movie(the one based on the TV show, not the OVAs) and...ehm...mostly it was like the last 3rd of the TV series...one of those stories that manufactures events from Kenshin's past and brings in a person from said manufactured past event and creates the moral conflict and samurai angst and posturing.  It entertained me well enough for an hour and a half and that's all that really matters.

Except why was Yahiko so unprickly?  And why was Sano moderately smart and well behaved?  Not his normal "my cocky stupidity results in brilliance" thing, but...normal smart?  (And those two should cook for themselves if they're always going to complain about a girl's cooking.)  And why was Sano standing there and telegraphing every single move to Kenshin instead of, you know, doing something?  And why did Kenshin have his scars long before he actually got them?  And when did Kaoru develop the psychic ability to tell when Kenshin was losing a battle from miles away?  And what was with that Toki girl?  Did she have a single scene where she didn't gasp, cry, collapse, or do some combination of the three?  AND WHY WAS THERE SO LITTLE SAITO??

Especially that last one.

Butbutbut...

In the flashback at the beginning, the BLOOD GLOWS!  I enjoyed that more than I should have and was saddened the blood didn't glow every time.  I guess it was special emo tragedy blood.  But also, when Kenshin goes into Battosai mode, his hair glows, and stayed glowing until he snapped out of it.  And when Kenshin and Token Noble Foe From Kenshin's Past prepare the fight, their Battle Aura let out a blinding light that literally blinded everyone around them.

I made none of this up.

Why don't I have RuroKen icons?  (Specifically of Sano or Saito.  Especially of Sano.)
meganbmoore: (boti-rin 2)
Easier to narrow down, even though there are about the same number of female anime characters that I like and/or love as there are male, it's easier to ick outthe ones that are my favorites above all others.

No order, again, save that 1-3 pretty much are the top three, though the order varies.  Incidentally, in both posts, the main reason for most of the ones that are of anime are becaus I couldn't find a good pic from the manga(exceptions are Hiyono and Darcia)

read on )
meganbmoore: (Default)
Easier to narrow down, even though there are about the same number of female anime characters that I like and/or love as there are male, it's easier to ick outthe ones that are my favorites above all others.

No order, again, save that 1-3 pretty much are the top three, though the order varies.  Incidentally, in both posts, the main reason for most of the ones that are of anime are becaus I couldn't find a good pic from the manga(exceptions are Hiyono and Darcia)

read on )
meganbmoore: (boti-magatsu)
Just for fun.  Was going to be 10, but I had troubles narrowing it down.

This is favorite male characters, not biggest crushes(for example, much as I love Manji, I could never ever crush on him...actually, I don't really crush on a lot of these...most of the ones I do aren't even here...very strange...)

In no order whatsoever, aside from the fact that Magatsu IS number one and Shuri is number 2(manga/anime characters period, actually).  Pics are just a quick google search and not really the best in many cases.

 
meganbmoore: (Default)
Just for fun.  Was going to be 10, but I had troubles narrowing it down.

This is favorite male characters, not biggest crushes(for example, much as I love Manji, I could never ever crush on him...actually, I don't really crush on a lot of these...most of the ones I do aren't even here...very strange...)

In no order whatsoever, aside from the fact that Magatsu IS number one and Shuri is number 2(manga/anime characters period, actually).  Pics are just a quick google search and not really the best in many cases.

 
meganbmoore: (oz-hikaru reading)
A follow up to this post and this one.  These are the series I've read all of(as in, the entire thing has been released here and I've read it all).

A few notes:

Those less than 10 volumes aren't here because they were covered, even briefly, before.

Saiyuki Is not included for the same reason it wasn't in the "short manga" post: there's not much more than the title to distinguish it as a second series, as opposed to a continuation of the same story.  Even though there's currently a sequel series in Japan, W Juliet is because it completed it's story, and the sequel is a new story.

meganbmoore: (Default)
A follow up to this post and this one.  These are the series I've read all of(as in, the entire thing has been released here and I've read it all).

A few notes:

Those less than 10 volumes aren't here because they were covered, even briefly, before.

Saiyuki Is not included for the same reason it wasn't in the "short manga" post: there's not much more than the title to distinguish it as a second series, as opposed to a continuation of the same story.  Even though there's currently a sequel series in Japan, W Juliet is because it completed it's story, and the sequel is a new story.

meganbmoore: (basara-shuri-sarasa-xxx)
*mostly babble, I believe*

I think a lot of the reason most Hollywood/western romances these days feel like "I love you now"  more than "I'll love you forever"  is because of the "if it doesn't work out, I can try again" mentallity.  Most people look at relationships and marriage as trial and error.  Get married too soon?  No problem just get a divorce.  Etc.  Even in something set in a time where that wasn't the case, the writer's mindset for life seeps in...I often read a historical romance and think "yeah...but after living together for a year..."

I started paying less attention to Hollywood romances and romances novels more and more when I got into anime and manga a few years ago, and now with doramas.  I think this is because they have a much stronger feeling of permanence.  Even though divorce is now more possible, it's frowned upon much more than in western cultures and marriage and relationships are approach with the idea if starting anything means being willing to stick with it for 50 years.  Even the oddest pairings tend to feel more functional and permanent than most of what Hollywood puts out.  Reading/watching Yamada and Ueda in Trick or Kyo and Yuya in Samurai Deeper Kyo or Kyohei and Sunako in Wallflower/Perfect Girl Evolution, or Domyoji/Makino in Hana Yori Dango, anyone used to Hollywood romances wouldn't see how they could ever possibly last, yet if you actually read/watch, you know that they're bizarrely functional in their way, and even though they may sound like they're 5 minutes from killing each other, they're solid(heck, the entire Trick series is essentially one long, bizarre courtship)
Completely unrelated, but The Boys are watching Fearless dubbed.  As disconcerting as the very out-of-sync voices and mouths are, I find this preferable to Roseanne and it's obnoxious laugh track.

ETA:  Apparently if people mention I haven't been posting enough, I spam...and neglect my reading even more than I already am.
meganbmoore: (Default)
*mostly babble, I believe*

I think a lot of the reason most Hollywood/western romances these days feel like "I love you now"  more than "I'll love you forever"  is because of the "if it doesn't work out, I can try again" mentallity.  Most people look at relationships and marriage as trial and error.  Get married too soon?  No problem just get a divorce.  Etc.  Even in something set in a time where that wasn't the case, the writer's mindset for life seeps in...I often read a historical romance and think "yeah...but after living together for a year..."

I started paying less attention to Hollywood romances and romances novels more and more when I got into anime and manga a few years ago, and now with doramas.  I think this is because they have a much stronger feeling of permanence.  Even though divorce is now more possible, it's frowned upon much more than in western cultures and marriage and relationships are approach with the idea if starting anything means being willing to stick with it for 50 years.  Even the oddest pairings tend to feel more functional and permanent than most of what Hollywood puts out.  Reading/watching Yamada and Ueda in Trick or Kyo and Yuya in Samurai Deeper Kyo or Kyohei and Sunako in Wallflower/Perfect Girl Evolution, or Domyoji/Makino in Hana Yori Dango, anyone used to Hollywood romances wouldn't see how they could ever possibly last, yet if you actually read/watch, you know that they're bizarrely functional in their way, and even though they may sound like they're 5 minutes from killing each other, they're solid(heck, the entire Trick series is essentially one long, bizarre courtship)
Completely unrelated, but The Boys are watching Fearless dubbed.  As disconcerting as the very out-of-sync voices and mouths are, I find this preferable to Roseanne and it's obnoxious laugh track.

ETA:  Apparently if people mention I haven't been posting enough, I spam...and neglect my reading even more than I already am.
meganbmoore: (boti-magatsu-hero complex)

In my Soul Hunter  posts, [info]crumpeteer and I got to talking about how a lot of villains in anime and manga tend to actually be good guys, or at least, understandable, something that never really happens as much in western literature. (and she made her own post on the subject here)  Which isn't to say we don't have more than our fair share of cackling, scenery chewing, out to destroy the world villains, we have plenty of those, it's just that good and bad in manga and anime tend to be many shades of gray with a little black and white at opposite ends of the spectrum, as opposed to black and white dominating the spectrum, with a bit of grey in the middle.  There are exceptions, of course, but they're exceptions, not a common theme. 

Quick note:  While the 2 characters that prompted this post(and thus, everything outside the cut) are cases of good guys stuck working for bad guys, that's not the entire post.  Most of what's under the case is more cases of good and bad not being as black and white as western fare.

In anything that came out over here, a protagonist, such as Kougaiji in Saiyuki or Bunchu in Soul Hunter would never be allowed to stay on the wrong side through the bulk of the series.  What's more, they (and others like them) are, technically, on the wrong side by choice...they are both operating of free will, fully cognizant of their actions and the consequences of their actions. 

Kougaiji, however, is arguably the nicest guy in Saiyuki.  If he doesn't work as the chief enforcer of the villains, his mother will die, period.  In addition, the villainess is actually his father's lover, and she's the mother of his half-sister, Lirin, who she has bad plans for.  It's very clear that Kougaiji's good behavior is the only thing standing between Lirin and regular experimentation(and even that isn't a sure thing) and his two friends, Doukugaku and Yaone are, in many ways, completely dependent on him.  Only their loyalty to him and his to them keeps them from succumbing to the madness other youkai suffer(and for that matter, while she's not exactly a pushover, Yaone would be a goner without his protection)  As far as strength and power go, the only ones really on a par with Kougaiji in the series are Goku and Hakkai, both good guys, if he wanted to, he could walk, but if he did so, everyone he cared about would suffer, and with the exception of Lirin, either be driven mad and sent to kill him, or just killed off.  Because of this, he's trapped, and likely will be until the end of the series.

Like Kougaiji, Bunchu is one of the most powerful people in Soul Hunter.  However, while Kougaiji is trapped on the wrong side because of his emotional ties to those dependent on him, Bunchu is held captive by his sense of honor and duty.  He swore generations ago to always uphold and protect the Yin Dynasty.  He's well aware that the current ruler is corrupt and beyond redemption, but he is, however, the CURRENT ruler...who has two children.  The princes, therefore, ARE the Yin Dynasty to him, and his hope for the future.  Like Kougaiji, his honor and goodness is used against him and he's manipulated to be forced to wage war against Kou Hiko, the only man he's ever called friend in three hundred years.  He knows he's being manipulated, but he has no choice...Kou Hiko has become a rebel, and has to die.  Bunchu's choices are to let Dakki's people kill him or his own, and if it's his own, then he can ensure it's an honorable death, and that others won't be killed in the process, especially the princes.

In a western fantasy, in either Kougaiji or Bunchu were allowed to remain themselves and not eventually revealed to be evil or be portrayed as weak or comedic, then early in the story, Kougaiji's mother would be either killed or free, allowing him, Lirin, Yaone and Doukugaku to switch sides, and Bunchu would have chosen to turn against his corrupt ruler as opposed to try to maintain the dynasty he had served for so long early in the story. The idea of having a good guy serving the bad guy without brainwashing or direct control, or their being a weak character, for the bulk of the series, simply wouldn't happen.  The idea of "right and wrong" tends to take precedence over obligation, honor, loyalty, etc. in western literature...the good guys fight for the good guys, and the bad guys fight for the bad guys, and never the two shall meet.  Neither Kougaiji nor Bunchu-or many other characters, some of which I'll get to in a minute- would ever exist with the complexity they do, and wouldn't be nearly as interesting or appealing.  Yes, there are exceptions in western literature, but they're the exceptions, as opposed to a common theme.

On the flip side(which would be a whole other post if I really wanted to get into it, but I will a bit under the cut) just like the bad guys aren't always necessarily bad, the good guys aren't necessarily all good, and it's not uncommon for a person who starts out good to become bad, or vice versa..

Note: consider anything listed in the tags as spoiler fodder.  I'm actively trying to avoid direct spoilers, and especially for anything I know that hasn't been released yet and largely stick to motivations and roles, but some spoilers are a necessity. I think it's MOSTLY safe though, except for Wolf's Rain.

ETA: LJ is playing havok with formatting again.  *growls*
ETA 2:  Not saying either approach is superior, really, just that it makes things interesting, as long as it's done well.

meganbmoore: (Default)

In my Soul Hunter  posts, [info]crumpeteer and I got to talking about how a lot of villains in anime and manga tend to actually be good guys, or at least, understandable, something that never really happens as much in western literature. (and she made her own post on the subject here)  Which isn't to say we don't have more than our fair share of cackling, scenery chewing, out to destroy the world villains, we have plenty of those, it's just that good and bad in manga and anime tend to be many shades of gray with a little black and white at opposite ends of the spectrum, as opposed to black and white dominating the spectrum, with a bit of grey in the middle.  There are exceptions, of course, but they're exceptions, not a common theme. 

Quick note:  While the 2 characters that prompted this post(and thus, everything outside the cut) are cases of good guys stuck working for bad guys, that's not the entire post.  Most of what's under the case is more cases of good and bad not being as black and white as western fare.

In anything that came out over here, a protagonist, such as Kougaiji in Saiyuki or Bunchu in Soul Hunter would never be allowed to stay on the wrong side through the bulk of the series.  What's more, they (and others like them) are, technically, on the wrong side by choice...they are both operating of free will, fully cognizant of their actions and the consequences of their actions. 

Kougaiji, however, is arguably the nicest guy in Saiyuki.  If he doesn't work as the chief enforcer of the villains, his mother will die, period.  In addition, the villainess is actually his father's lover, and she's the mother of his half-sister, Lirin, who she has bad plans for.  It's very clear that Kougaiji's good behavior is the only thing standing between Lirin and regular experimentation(and even that isn't a sure thing) and his two friends, Doukugaku and Yaone are, in many ways, completely dependent on him.  Only their loyalty to him and his to them keeps them from succumbing to the madness other youkai suffer(and for that matter, while she's not exactly a pushover, Yaone would be a goner without his protection)  As far as strength and power go, the only ones really on a par with Kougaiji in the series are Goku and Hakkai, both good guys, if he wanted to, he could walk, but if he did so, everyone he cared about would suffer, and with the exception of Lirin, either be driven mad and sent to kill him, or just killed off.  Because of this, he's trapped, and likely will be until the end of the series.

Like Kougaiji, Bunchu is one of the most powerful people in Soul Hunter.  However, while Kougaiji is trapped on the wrong side because of his emotional ties to those dependent on him, Bunchu is held captive by his sense of honor and duty.  He swore generations ago to always uphold and protect the Yin Dynasty.  He's well aware that the current ruler is corrupt and beyond redemption, but he is, however, the CURRENT ruler...who has two children.  The princes, therefore, ARE the Yin Dynasty to him, and his hope for the future.  Like Kougaiji, his honor and goodness is used against him and he's manipulated to be forced to wage war against Kou Hiko, the only man he's ever called friend in three hundred years.  He knows he's being manipulated, but he has no choice...Kou Hiko has become a rebel, and has to die.  Bunchu's choices are to let Dakki's people kill him or his own, and if it's his own, then he can ensure it's an honorable death, and that others won't be killed in the process, especially the princes.

In a western fantasy, in either Kougaiji or Bunchu were allowed to remain themselves and not eventually revealed to be evil or be portrayed as weak or comedic, then early in the story, Kougaiji's mother would be either killed or free, allowing him, Lirin, Yaone and Doukugaku to switch sides, and Bunchu would have chosen to turn against his corrupt ruler as opposed to try to maintain the dynasty he had served for so long early in the story. The idea of having a good guy serving the bad guy without brainwashing or direct control, or their being a weak character, for the bulk of the series, simply wouldn't happen.  The idea of "right and wrong" tends to take precedence over obligation, honor, loyalty, etc. in western literature...the good guys fight for the good guys, and the bad guys fight for the bad guys, and never the two shall meet.  Neither Kougaiji nor Bunchu-or many other characters, some of which I'll get to in a minute- would ever exist with the complexity they do, and wouldn't be nearly as interesting or appealing.  Yes, there are exceptions in western literature, but they're the exceptions, as opposed to a common theme.

On the flip side(which would be a whole other post if I really wanted to get into it, but I will a bit under the cut) just like the bad guys aren't always necessarily bad, the good guys aren't necessarily all good, and it's not uncommon for a person who starts out good to become bad, or vice versa..

Note: consider anything listed in the tags as spoiler fodder.  I'm actively trying to avoid direct spoilers, and especially for anything I know that hasn't been released yet and largely stick to motivations and roles, but some spoilers are a necessity. I think it's MOSTLY safe though, except for Wolf's Rain.

ETA: LJ is playing havok with formatting again.  *growls*
ETA 2:  Not saying either approach is superior, really, just that it makes things interesting, as long as it's done well.

meganbmoore: (basara-branches)
Before I get into X, I watched the first episode of the jdorama, Teppan Shojo Akane, which I checked out solely because it stars Hirokita Maki(Kurosagi, Nobuta wa Produce)  It's about Akane, a girl who runs her father's teppanyaki shop after he leaves.  In danger of losing the shop, partly due to her own arrogance, she sets out to learn how her father made what's supposedly the best teppanyaki ever, and at the end of the episode, decides to set out to find him.  I'm not quite sure if it's GOOD, but it was rather fun.  It has the same over-the-top crackiness of Gokusen, Trick, My Boss, My Hero, etc....you know, the "I can't BELIEVE you actually managed to get someone who can do this with a straight face!" kind.  It's kinda odd seeing Maki(incidentally, someone was mean to her early in the episode and I was all "wait, shouldn't that be illegal?") being so energetic and exuberant since the other roles I've seen her in have been much more reserved, but I liked her here.

Something that occurred to me while watching it(because hey, most of us can't see Maki on our screens without thinking of Kurosagi) is how DIFFERENT Tsurara in Kurosagi and Nao in Liar Game are, and how it probably affects our OTP involvement.  In Kurosagi, we know that Tsurara will be OK without Kurosaki...she's a smart girl, pretty self-sufficient and generally pretty well balanced.  On the flipside, we know that she's pretty much the only thing keeping Kurosaki from going off the deep end and that if she gives up on him, he'll probably spend the rest of her life in a deep dark pit of vengeance driven angst.  In Liar Game, though, Nao, while incredibly sweet and cute, is about the dimmest and most gullible thing ever and we and Shinichi both know that she's a goner if left alone.  For all we know, Shinichi's past is just as bad as Kurosaki's, but since his time is mostly occupied taking care of Nao, we don't dwell on it(yet).  Short version is that in Kurosagi, the one we worry about is Kurosaki, who dwells in a deep pit of angst, and in Liar Game it's Nao, who keeps Shinichi too busy keeping her out of trouble for him to spend too much time dwelling on his angst.  In both cases, the one in charge of the relationship is the guy, and while Shinichi, though not a nice guy, isn't about to be a monster and abandon poor Nao to the wolves, Kurosaki is somewhat likely to decide Tsurara makes him weak and feel too human and cut ties and take off, or try(harder) to alienate her.  Hmm...that wasn't much shorter.  This wasn't meant to be any sort of deep analysis or comparison, just something that occurred to me last night.

I'm also 8 episodes into X.  What's it about?  The war between heaven and earth to determine the fate of the world, angsty brooding near-stalkery boys, loveable dorks, obviously doomed love and really pretty pictures.  And angst.  It really likes its angst.

more )

ETA: Just watched ep 9 and "Met" Subaru, if it were'nt for the fact that I tend to squee a bit everytime Sorata has a scene, I'd say Sorata had some competition as my fave.  Subaru has that "unbelievably angsty and damaged yet too cool for words" thing going and reminds me of Aoshi from Rurouni Kenshin(odd how so many of the characters remind me of characters in other animes and mangas...even Kamui makes me think or Samurai Deeper Kyo's Kyo, if he were and angsty teen and wasn't all grabby, though I think that has more to do with Sorata reminding me of Benitora than anything else) except he doesn't have the whole "destroy everything in my quest" thing going(yet...it could still happen.

So, yeah, basically, X=angsty bishie central.
meganbmoore: (Default)
Before I get into X, I watched the first episode of the jdorama, Teppan Shojo Akane, which I checked out solely because it stars Hirokita Maki(Kurosagi, Nobuta wa Produce)  It's about Akane, a girl who runs her father's teppanyaki shop after he leaves.  In danger of losing the shop, partly due to her own arrogance, she sets out to learn how her father made what's supposedly the best teppanyaki ever, and at the end of the episode, decides to set out to find him.  I'm not quite sure if it's GOOD, but it was rather fun.  It has the same over-the-top crackiness of Gokusen, Trick, My Boss, My Hero, etc....you know, the "I can't BELIEVE you actually managed to get someone who can do this with a straight face!" kind.  It's kinda odd seeing Maki(incidentally, someone was mean to her early in the episode and I was all "wait, shouldn't that be illegal?") being so energetic and exuberant since the other roles I've seen her in have been much more reserved, but I liked her here.

Something that occurred to me while watching it(because hey, most of us can't see Maki on our screens without thinking of Kurosagi) is how DIFFERENT Tsurara in Kurosagi and Nao in Liar Game are, and how it probably affects our OTP involvement.  In Kurosagi, we know that Tsurara will be OK without Kurosaki...she's a smart girl, pretty self-sufficient and generally pretty well balanced.  On the flipside, we know that she's pretty much the only thing keeping Kurosaki from going off the deep end and that if she gives up on him, he'll probably spend the rest of her life in a deep dark pit of vengeance driven angst.  In Liar Game, though, Nao, while incredibly sweet and cute, is about the dimmest and most gullible thing ever and we and Shinichi both know that she's a goner if left alone.  For all we know, Shinichi's past is just as bad as Kurosaki's, but since his time is mostly occupied taking care of Nao, we don't dwell on it(yet).  Short version is that in Kurosagi, the one we worry about is Kurosaki, who dwells in a deep pit of angst, and in Liar Game it's Nao, who keeps Shinichi too busy keeping her out of trouble for him to spend too much time dwelling on his angst.  In both cases, the one in charge of the relationship is the guy, and while Shinichi, though not a nice guy, isn't about to be a monster and abandon poor Nao to the wolves, Kurosaki is somewhat likely to decide Tsurara makes him weak and feel too human and cut ties and take off, or try(harder) to alienate her.  Hmm...that wasn't much shorter.  This wasn't meant to be any sort of deep analysis or comparison, just something that occurred to me last night.

I'm also 8 episodes into X.  What's it about?  The war between heaven and earth to determine the fate of the world, angsty brooding near-stalkery boys, loveable dorks, obviously doomed love and really pretty pictures.  And angst.  It really likes its angst.

more )

ETA: Just watched ep 9 and "Met" Subaru, if it were'nt for the fact that I tend to squee a bit everytime Sorata has a scene, I'd say Sorata had some competition as my fave.  Subaru has that "unbelievably angsty and damaged yet too cool for words" thing going and reminds me of Aoshi from Rurouni Kenshin(odd how so many of the characters remind me of characters in other animes and mangas...even Kamui makes me think or Samurai Deeper Kyo's Kyo, if he were and angsty teen and wasn't all grabby, though I think that has more to do with Sorata reminding me of Benitora than anything else) except he doesn't have the whole "destroy everything in my quest" thing going(yet...it could still happen.

So, yeah, basically, X=angsty bishie central.
meganbmoore: (dark and brooding)
BEHOLD THE POWER OF BINGE!!! Yeah, I finished it in 5 days. 

babblings )

TRAGEDY ALERT!!!  I cannot find find my Samurai X DVDs...I want Jinchu(without having to devote 10 hours to reading it)  Samurai X may not be all of Jinchu, but at least it's a pretty good(if slightly oberly angsted-out) telling of half of it, and Reflections has good(if, again, overly angsty) closure for the characters.

*insert sadness*
meganbmoore: (Default)
BEHOLD THE POWER OF BINGE!!! Yeah, I finished it in 5 days. 

babblings )

TRAGEDY ALERT!!!  I cannot find find my Samurai X DVDs...I want Jinchu(without having to devote 10 hours to reading it)  Samurai X may not be all of Jinchu, but at least it's a pretty good(if slightly oberly angsted-out) telling of half of it, and Reflections has good(if, again, overly angsty) closure for the characters.

*insert sadness*

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meganbmoore

July 2020

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