meganbmoore: (south riding: red)

Call the Midwife 2013 Christmas Special: as always, the series somehow manaes to be simultaneously heartbreaking and uplifting, though this year's Christmas Special was more tense and had less heartstomping than last year's. Like with a large part of the second season, Shelaugh's plotline was the most compelling.

Death Comes to Pemberley: 3-part miniseries that is a murder-mystery sequel to Pride and Prejudice. Wickham plans to crash Lizzy and Darcy's annual ball, but then his buddy runs off into the woods and gets shot, and everyone thinks he did it! And Lizzy and Georgiana are BFFs (their closeness was actually my favorite part of the series), and all the men are dark and brooding, and the cameramen really like Downton Abbey's cinematography. I actually really enjoyed this, in a thoroughly uncritical way, despite the fact that it has far too many dude-only scenes for something based on Austen to have. It's not wholly original and the characters aren't spot on, but it is very enjoyable, and while the cast may not have universally been the perfect choices for the characters, the cast is a very good cast (Anna Maxwell Martin as Lizzy, Eleanor Tomlinson as Georgiana, Matthew Goode as Wickham and Jenna Louise Coleman as Lydia were the standouts for me), and they have their period drama chops.

Though, I have to say, I've been very amused at seeing a lot of pearl clutching over the fact that Lizzy and Darcy don't have a 100% perfect and flawless marriage and the fact that their backgrounds and personalities lead to the occasional fight means that THEIR HAPPY ENDING HAS BEEN RUINED. RUINED.

I have been enjoying the complaints about Anna Maxwell Martin's looks considerably less. People have been complaining that she isn't pretty enough to play the lead in whatever drama she's in at the time everytime I've watched something that she's in, and it hasn't gotten any less annoying. (Though I suppose she's never played a character a fraction as popular as Lizzie Bennett before.)

Marple: Endless Night: Another non-Miss Marple book that got turned into a Miss Marple by ITV, I think more successfully than some others. I wish I hadn't remembered that I'd read the book shortly after I started it, as the twist is pulled off pretty well here, and I have no complaints about the slight sympathetic element the book gave the killer being taken away. Also, seeing Ton Hughes and Joanna Vonderham as lovers was a bit of a mental "Say what?" to me, as they played siblings in Dancing on the Edge which was the first thing I saw him in.

Moonfleet: 2-part miniseries about a young smuggler, John (Aneurin Barnard, who I understand is one of the current Hot Young Things. He has nice curly angst!hair?) searching for a diamond reputedly hidden away by Blackbeard. Along the way he falls for Blackbeard's aristocratic great-great-something granddaughter, Grace (Sophie Cookson) whose father is, of course, the new magistrate who's determined to wipe out the local smugglers. Ray Winstone is also there as one of the mains as John's grizzled father-figure, Elzevir, the head of the local smuggling ring, whose son is killed by Grace's father in the first 5 minutes. The characters and relationships are incredibly unsubtle and parts of it feel like at least half an hour or so of important scenes that move some plotlines along and explain how characters come to certain points were cut out at the last minute (particularly when it came to Grace), but it was a very fun adventure story with a hint of the supernatural that may or may not have only existed in John's imagination.

TeeVee

Dec. 29th, 2013 04:25 pm
meganbmoore: (batb; catherine x gun)
Beauty and the Beast 2.1-2.8:

spoilers )



Haven 4.12-4.13:

spoilers )
Miss Fisher's Murder Mysteries
2.13: I'd say that this was a delightful "snowbound and locked in a house with a killer" episode, but poor Aunt Prudence was tormented too much for me to call it delightful.

spoilers )

Witches of East End 1.10: So glad the show is renewed, especially giving that ending.

spoilers )
meganbmoore: (call the midwife: spying)
Really interesting to watch the second series (and rewatch the first) after reading Worth's memoirs. I was surprised that they adapted some of the stories they did (though pretty much all considerably toned down from the books) but I guess they figured that if they could do the incest episode from the first series and still get renewed, they could get away with anything.


The series is still wonderful and delightful and generally good at being thought provoking without being preachy or turning into a Message show. (I say "generally" because there was the Very Special Disabilities Episode, but pretty much everything in that episode except that subplot was pretty great.)

Also, I surprised myself a bit by how very willing I was to go along with the show's clear desire that I want Sister Bernadette to throw off her habit and run away with the doctor. (Not really a spoiler, as this element was present before the second series.) That plotline actually did a pretty good job of subverting most expectations for that kind of plotline, though.
meganbmoore: (call the midwife: spying)
 80 x Bright Star
32 x Call the Midwife (Christmas Special)

bright star 57 bright star 20 call the midwife2 4


here )
meganbmoore: (the bletchley circle: ordinary)
 Know what's cool?  Amazon having decent prices on a lot of new/still airing TV shows with female (often in multiples) leads that not enough people are watching.  (What's not cool is having to remind myself that no, I actually DON'T have a lot of money to spare, most of what looks like fun money in my account is for WisCon.)

Season 1 of Miss Fisher's Murder Mysteries for $26.94.  1920s flapper runs around solving mysteries and flirting with stoic detective.  Exceptionally fun, and i think the only show I've seen in which the heroine is promiscuous for no reason other than that SHE LIKES SEX (no angst or self-punishment or any such) and with an ongoing romance plot where the female half of the equation regularly hooks up with other men without once being judged by the dude or the text, or showing us her sexlife through his POV.  Also, hats and adorable sidekicks galore.

Call the Midwife Season 1 for $22.86.  1950s London, midwives who work out of a convent.  Based on the memoirs of Jennifer Worth (which are also a good read).  Sometimes lovely fluff, sometimes whimsical, sometimes utterly depressing, there's a large variety of personality types between the midwives and the nuns both, and tons of focus on women's relationships and the  changing world.

Parks and Recreation Season 1 for $11.49.  Presumably well known enough that I don't need to explain much?  Hilarious and sometimes awkward adventures of a small town civil servant who aspires to be president and make all women in the government ever proud.  Equally hilarious friends and coworkers galore.

Pretty Little Liars Season 1 for $14.96.  Take a Chrisopher Pike book, update it a bit, and then make it all about 4   BFFs trying to solve the murder of their friend, passing the Bechdel test in about 4 out of 5 scenes, while also having a ton of focus on their relationships with each other and their mothers, lots of gothic imagery, and just all around cracky and sometimes cheesy awesomeness.  Oh, and one is a lesbian WOC who gets a lot of action.

The Bletchley Circle for $15.59.  3-part miniseries (which will hopefully eventually have a second season?) about 4 women who were Bletchley Park codebreakers who reunite in the 50s to catch a serial killer.  A bit too devoted to the procedural aspect for me at times, but rather fabulous and a good look at what it was like to go back to being "ordinary" women after the war, especially if you did awesome stuff you can never tell anyone about.  Also, if you ever went "how would people treat Sherlock Holmes if he were a woman?" well, its a few decades later and Susan has considerably better people skills, but this is the closest to a direct take I've seen on that.

Continuum Season 1 for $26.14.  Time travelling cop saving the future from time travelling terrorists!  It has something of a bad habit of focusing more on the male supporting characters than the female, but most characters are interesting in their own right, and Kiera's awesomeness makes up for the rest.

Body of Proof Season 1 for $15.63.  Like Bones, something of a "female Sherlock Holmes" protagonist, with the brilliance largely focused on one medical field.  And, aside from Bones, the only case of a "genius/wrangler" setup where the wildcard genius is the female lead.  Protagonist is a former brain surgeon who can no longer practice due to injuries sustained in a car crash, and now works as a medical examiner and solves crime.  Adorable partners and coworkers galore.

Nikita Season 1 for $16.93.  Best known series in the list?  Unbelievably awesome ex-assassin working to bring down evil organization and save friends.  What  makes Nikita herself extra-awesome is that someone decided to take the trope of the damaged, stone-cold badass assassin on a mission and ditch the "stone-cold" part and create a character who, despite all the angst and traumatic background and badassery, is a warm and caring person who always sees the good in people and inspires loyalty as much for her warmth and determination to help you as for her badassery and drive.  Other great assassins and ex-assassins and soldiers and evil psychologists galore.

The Good Wife Season 1 for $25.55.  I've only seen the first 4 episodes of this so far and so can't say a lot about the series as a whole, but what I've seen I've liked a lot, despite early reservations about the premise.

Honorable mention:

The Hour Series 1 for $26.34.  Honourable mention because the technical main character is a dude.  (Who is quite annoying in the first season, but I found him more likable in the second.)  If you ever thought you might like Mad Men, but wished there was more focus on the female characters and that the men were less douchey, you'd probably like this.  Despite my description, this really isn't "BBC trying to have their own Mad Men," which it often gets described as (though the first episode does have something of a "wants to be Mad Men" feel to it).  I'm sure MM was something of an inspiration, but its less about nostalgia and deconstructing nostalgia, and more of a cold war-like thriller from the POV of journalists, many of whom are struggling with their assigned roles, and the creation of a new form of news programming.  Fair warning:  Series 2 was made with the belief that a third series was in the bag, and ends with a cliffhanger, and then BBC went and cancelled it.




TeeVee

Jan. 4th, 2013 11:04 pm
meganbmoore: (anjelica/rainsborough)
Call the Midwife: Christmas Special: Simultaneously thoroughly heartbreaking and uplifting. It's unlikely to have any repercussions on the series as a whole, but is a very good standalone episode. One of the main plotlines adapts one of the most heartbreaking and traumatic stories from Worth's memoir, but the adaptation thankfully stomps on your heart less after ripping it out. (I have a feeling that I'm now going to look at all plotlines in the show to see what story from the book it's derived from, and wonder if the ones I don't recognize are from Worth's other memoirs, which aren't currently available in the US, as far as I know.) I was very pleased that Chummy is still around. I wasn't sure if she would be after the ending of the first season. (Though it would have been a very good exit if she were gone.)

The Hour: Series 2: I think this series was stronger than the first in a lot of ways. I found the season long investigation more interesting than in the first season, and the various relationship dramas were largely intereting instead of often frustrating like the first season. I also really liked Marnie's plotline this season (and I continue to find the way she deals ith Hector's women fascinating), and the fact that Lix had one, and they wrote Bel more like what I'd think a young female television producer of the time would be like. I also think they managed to portray Freddie as the kind of character they were trying to in the first series, which is considerably less annoying than the character we had in the first series. It also managed to separate itself from the inevitable Mad Men comparisons. (I do think the first couple episodes of the first series had a bit of a "wants to be Mad Men" feel to them, but that the comparison is overdone quite a bit. That said, I still can't help but think Hector is a case of Don Draper done in a way where I can find the character interesting and even enjoyable.)

Labyrinth: A miniseries that has nothing to do with the movie with David Bowie prancing around in circulation-killing pants, and everything to do with the Kate Mosse book. (Which I haven't actually read.) The story centers around a modern woman, Alice, who begins having visions of Alais, a Cathar woman from the early 13th century caught up in the massacre of the Cathars, and being made the caretaker of the Cathar treasure (in this case, an unconventional Grail). I was mostly interested going in for the historical plotline, as most (conspiracy theory) fictional stories that I've encountered about the Cathar treasure have tended to not actually involve many Cathars, much less center around a woman trying to escape the massacre. Unfortunately, a lot of the conflict there ended up centering around Alais's sister, Oriane, becoming Alais's antagonist, with her hatred for her sister being rooted in men liking Alais more, so while I did like the historical plot, I didn't like it as much as I expected. But the modern part involved secret organizations and conspiracy theories and ancient mysteries and legacies, so I was all over that. There are some unfortunate messages about ambitious women (though, sadly, none we haven't seen plenty of times before) but also women with heroic destinies. In the end, I liked the bulk of it a lot, but didn't like it as much as I've thought I would since learning about it back in the summer.

Restless: A miniseries set on both the 1970s and 1939-1941, Ruth Gilmartin (Michelle Dockery) goes to visit her mother, Sally (Charlotte Rampling) only to find her mother staring at the woods, talking about how people who have been looking for her for years have found her and are watching her. Like most people, Ruth's response is "no, mom, there are not bad guys in the woods, at which point her mother informs her that she isn't British, but was born Russian, grew up in exile in France and was a British spy from 1939-1941, and that her real name is Eva Delectorskaya. The bulk of the series is Eva's (Hayley Atwell) backstory as she engages in a number of spyjinks, up to and including killing a would-be assassin with a pencil, and begins to suspect that she's being used in a secret plot, while Ruth learns about her mother and tries to help her learn if there really is anyone after her. It gets a solid thumbs up and all three main actresses are rather amazingly cast, though I'm a bit miffed that my dream of having Hayley Atwell and Michelle Dockery do a period drama together came true in a drama in which they share no scenes, though all three actresses have enough sinmilar mannerism that Atwell must have collaborated with Dockery and Rampling offscreen, because the actresses share a number of mannerisms.

Scandal 2.7-2.9:

spoilers )

Meanwhile, US TeeVees are coming back from their Holiday breaks, and I don't seem to want to watch anything that isn't either complete or that I don't have a large chunk of available. Probably a good time to catch up on anime and doramas.

TeeVee

Mar. 17th, 2012 10:52 pm
meganbmoore: (borgias: totally no incest)

Aside from 2 shows deciding to do really annoying things in their last 5 minutes (actually, pretty much the same annoying thing...) this was a good week of TV for me.

Call the Midwife: Season 1: CtM is a six-episode season (everything is wrapped up, but it was renewed for a second season) about midwives and nuns in London's East End in the 1950s. You wouldn't think that's a recipe for insta-awesome but it is. Not quite Bomb Girls levels of awesome, but it'll do. It's based on the memoirs of Jennifer Worth, who died last year. I can't speak for anyone else, but I always feel a bit awkward watching fiction about people who are still alive, or whose kids are still alive? I'm always afraid that they disapprove of the liberties that are no doubt taken. Hopefully Worth's kids are pleased with the result. BTW, this has possibly the best in-canon response to incest ever:

MIDWIVES: OMG THAT IS INCEST! IT IS SINFUL AND WRONG!

NUN: Theirs is a lifelong love that has surpassed endless hardships and you don't understand what they mean to each other HDU JUDGE THEM!!!"

(Nuns, why do you automatically make most fiction better? I mean, except when it's about how you/the church is awful and mean and resistrictive.)

The same episode may have involved necrocuddling. I figure people were duly scandalized especially as the show was playing it pretty clean and safe, despite some graphicness regarding medical proceedings. (If anything, my only real complaint about the show is how the bulk of cases wrap up so happily and tidily. Not that I WANT dead babies or women dying in childbirth flooding my screen it just felt like it was trying to pull the punches that you expect and brace yourself for given the premise.

Lost Girl 2.19:

spoilers )

Miss Fisher's Murder Mysteries 1.4:

INSPECTOR CRANKYPANTS: We need to establish who wears the trousers in this relationship.
PHRYNE: *walks downstairs in trousers that probably cost more than he makes in a month*
INSPECTOR CRANKYPANTS and CONSTABLE: ... ... ...

Probably the best summary of that particular character dynamic.

spoilers )Nikita 2.16:

spoilers )Side note: Apparently, Maggie Q will be voicing Wonder Woman in Young JusticeI...may end up watching that.

Once Upon A Time 1.15: Only in this show would the phrase "Emma was my lemur!" come across as borderline romantic.

spoilers )

Ringer 1.17:

spoilers )

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